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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

Saturday, November 07, 2015

Jo Harrop Quartet @ The Gala Theatre, Durham. Nov 6.

Jo Harrop (vocals), Neil Harland (bass), Rob Walker (drums) and Paul Edis (piano).
(Review by Jerry)
Jo Harrop, a great band and a programme listing (among others) Gershwin, Porter, Legrand and Billie Holiday – what a perfect antidote to the soggy Bonfire Night I had in Borrowdale! There was a full house (100), with people being turned away at the door and an expectant hush at 12.59 and into the opening song, Love Me or Leave Me - no noisy diners here!
Looking across the river there were still autumn colours to be seen against a slate-blue sky befitting Autumn in New York. The line: “Autumn in New York is often mingled with pain”, was not true at the Gala with Jo Harrop’s vocals to soothe us. There was seasonal consolation later, too, in Legrand’s You Must Believe in Spring: “If winter comes, can spring be far behind?” Nothing like a bit of Shelley to adorn already beautiful lyrics!
I’m a Fool to Want You by Herron / Sinatra / Wolf is a tune which does NOT suffer from being much-covered over the years. Here the backing was stripped down to minimal - no solos - allowing the audience to focus entirely on the plaintive Billie Holiday-style delivery. It was “hear a pin drop time” in the packed room.
Piano and bass both got to solo on Richard Rodgers’ cheery, up-tempo This Can’t Be Love and then we had more master-class lyrics on Cole Porter’s It’s All Right with Me. Who else coolly rhymes “chips” with “lips” outside of a limerick?
Bye Bye Blackbird opened with just vocals and bass and, sung in the manner of Julie London, achieved another “pin-drop” silence until it became Bye Bye Blackbird (Hello Durham Constabulary) as Jo had to contend with sirens full blast on Milburngate Bridge! Nowhere’s perfect…
Rob Walker’s drumming came more to the fore on Gershwin’s lovely The Man I Love. Maybe that should be Gershwins’ as Ira’s lyrics contribute much to the enduring appeal of the tune. Tuesday, there, might be “good news day” but we were all doing nicely on Friday, thank you! I Can’t Give You Anything but Love saw Jo at her most winsome and some trading fours generated more fizz and pop than our sparklers last night.
Then more Cole Porter with an up-tempo Just One of those Things which featured more great lyrics, though apparently it was a friend of Porter’s who suggested the adjective in “gossamer wings”. No one’s perfect?
The official last number was my idea of perfect – how could they top it? Great blues piano (with piano “answering” the vocals), great bass solo and great blues singing on Billie Holiday’s Fine and Mellow…….which they then topped with their encore: I Wish I Knew How it Would Feel to Be Free! I have loved this song since I first heard Jo Harrop perform it about 5 years ago and it took on added poignancy having watched, two days ago, a DVD of Twelve Years a Slave in which I found the brutality portrayed truly shocking. Anyway, the audience clearly loved it too.
Never mind soggy Bonfire Night – this was Christmas come early!
Jerry

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