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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Thu 18: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 18: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 18: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 18: Newcastle Jazz Festival @ Bridge Hotel, Newcastle. Strictly Smokin’ Big Band. 7:00pm. Free (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Dan Johnson (sax); Josh Bentham (sax); Bill Watson (trumpet); Ron Smith (bass)

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri. 19: Vieux Carré Jazzmen @ Ayr Jazz Club, Fairfield House Hotel, Fairfield Rd, AYR KA7 2AS. 7:30pm. For accommodation call the hotel on 01292 267461. For tickets call Ayr Jazz Club Secretary, Stuart McLean, on 01292 590773.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).
Sat 20: Boys of Brass @ Brandling Villa, South Gosforth, Newcastle. 8:00pm.

Sun 21 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 21: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Lindsay Hannon & Alan Law + Knats + David Gray’s Flextet + Ben Gilbert Trio + Emma Rawicz. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sun 21: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.

Mon 22: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 23: FILM: Space is the Place @ Tyneside Cinema, Newcastle. 6:25pm. Dir. John Coney (1974). Starring Sun Ra!
Tue 23: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 23: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Steve Glendinning, Paul Grainger, Abbie Finn.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 24: 4B @ The Exchange, North Shields. 7:00pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thursday, October 29, 2015

CD Review: Ella Fitzgerald - Live at Chautauqua Volume 1.

Ella Fitzgerald (vcl); Tee Carson (pno); Keter Betts (bs); Joe Harris (dms).
(Review by Lance).
Recorded on July 11, 1968 at the Chautauqua Institution Amphitheatre in New York and released as the first album of the Dot Time Legends series, we have an album that finds "The First Lady of Song" in good voice, despite the acoustical vagaries that typify concerts in amphitheatres. The opening, It's All Right With Me, sounds as though Ella was at the back and the drummer up front. The voice distant and echoing, the drums overpowering. Fortunately, by the second number - I'm Beginning to See the Light - the sound seems to have been, if not resolved, at least improved and the balance levelled out. Whether this was done on the night or, as the notes indicate, newly remastered with the goal of presenting these recordings in a modern format while striving to keep the original atmosphere of the records.
Whatever, what really matters is the opportunity to hear the most swinging jazz singer ever in concert whilst still close to her peak.
It's 1968 remember and singers, even those of Ella's calibre, had to face up to the challenge of rock and pop and contemporaries less than half her age. To counter this , she attempts to meet them half way. For Once in my Life, taken slower than Stevie Wonder, brings a different dimension to the song but the medley of Sunny and Goin' Out of my Head (You Go to my Head as an intro to the latter is a clever ploy) doesn't quite match the pop versions from Bobby Hebb/Georgie Fame/Dusty Springfield, although I doubt if those artists could entwine the songs the way Ella does - she even throws in Yesterday for good measure - and it got the biggest round of applause! In fairness to Ella, their versions were done in a studio over several hours, maybe even days, whereas this was live - 10 minutes!
However, The Object of my Affection, never previously recorded by Ella, is La Grande Dame at her very finest. A great song, popular when Ella was 17.
Watch What Happens, Midnight Sun, Lady is a Tramp and One Note Samba (fast!) all work - this is the Ella we knew and loved. A Tisket A Tasket may have been overworked by 1968 but it's still being mined by singers today!
I suppose most people remember Ella Fitzgerald from the Verve songbooks, and they are GASbook masterpieces to be filed alongside the definitive Sinatra albums, but this is the real deal. If you heard Ella at Newcastle's City Hall or at any other major concert hall in in any city in the world then this will make those night's come alive again!
Lance.
PS: Needless to say the trio are fine apart from the problems with the drums.

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