Dave Newton & Dean Stockdale (keys).
(Review by Lance/Photo courtesy of Ken Drew).
For the past sixteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
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April
Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.
Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).
Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!
Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!
Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).
11 comments :
Such as shame that two such gifted musicians couldn't find a tune less than 50 years old to play.
Thank goodness two such gifted musicians didn't find a tune less than 50 years old to play!
Ha - take that!
Not keen on that band either although Robbie has penned a couple of decent numbers
Being domiciled in France, I obviously didn't catch the two piano concert at the Globe but I am amazed that anyone could find fault with the programme which was certainly taken from that treasure trove, the GREAT AMERICAN SONG BOOK. There were tens of thousands of beautifully constructed songs written during this period (1920--50) which allow inventive jazz musicians to improvise in a harmonic or modal fashion. Any pianist worth his salt will have hundreds of these firmly implanted in his head, to be produced & reconstructed at the drop of a hat. I am not familiar with Dean's work but I do know that Dave is a great devotee of TGASB, as I once had to do an unrehearsed two piano set with him at the Bude JF which was great fun, although I was hanging on to his coat tails most of the time but Hey, who isn't? I have always felt that a concert of this nature should contain material that the audience, in the main, will recognise & to avoid including obscure or one's own pretentious compositions. Obviously Dave & Dean didn't think that anything from outside of the TGAB was worthy of inclusion in their programme & who am I to argue with that? In any case it would allow them to select their proramme with virtually little or no rehearsal needed. Anyway how do you find good songs since the 60s as the art of good song writing died with the advent of Rock & Roll & Andrew Lloyd Webber.
My sentiments exactly Bill - Long Live the GASbook!
I am amazed that someone who didn't actually attend the concert can pass comment on it's content given that you can't possibly now how the pieces were actually perfomed(as it happened they were performed with great panache) if you honestly think that there has been no decent original music composed since 1960 then with all due respect you opinion is meaningless. I have no problem with standards especially if performed in a creative and original way but as a jazz fan I particularly enjoy the new and unexpected. Having said that the vast majority of the audience seem to agree with you - so what do I know?
Well said Bill .
Explaining recently why he had decided to do an album of Great American Songbook numbers associated with Frank Sinatra, Bob Dylan said: 'I don't see myself as covering these songs in anyway. They've been covered enough. Buried, as a matter of a fact. What me and my band are basically doing is uncovering them. Lifting them out of the grave and bringing them into the light of day.'
Buried! never! and as for lifting them out of the grave, sorry Bob Dylan, they have never been out of the light of day, and yes I agree with Bill Harper, there has been no good song writing since the 60's. Lloyd Webber's stuff is repetitive and boring. GASbook will live forever, recorded by all the greats, and appreciated by anyone who understands a wonderful lyric and arrangement
Proof of the gasbook's durability lies in the number of artists who approach, shall we say The September of Their Years? suddenly discover the legacy of music they have chosen to ignore in their glory days - it's akin to seeking "the grey vote". Dylan may well be sincere - I have yet to hear the album - just as, I'm sure, Rod Stewart, Robbie Williams, Westlife and others were before him but...
Tony Bennett summed it [the sixties] up when he said, "All of a sudden you had to write your own songs as if Kern and Porter weren't good enough!"
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