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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Friday July 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

John Settle’s Vibe-ology - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

New Orleans Swamp Donkeys - Ernest, Boyd Street, Newcastle NE1 2AP. Tel: 0191 260 5216. 5:00pm. Free.

Blues/Country/Folk

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. Struggle Buggy 2:00-2:45pm., Shipcote & Friends 3:00-3:45pm. Free. Jumpin’ Hot Club stage.

Evening.

Riviera Quartet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:00pm. (7:30pm doors). £8.00.

New Orleans Swamp Donkeys - Cobalt Studios, Boyd St., Newcastle NE2 1AP. Tel: 0191 232 3553. 8:00pm. £5.00. (£4.00. adv). Top class band from New Orleans.

Baghdaddies - Cumberland Arms, James Place Street, Newcastle NE6 1LD. Tel: 0191 265 6151. 8:30-9:30pm.

Global BRASS @ Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £15.00. (£12.00. concs.). Joint concert featuring two bands 560 miles apart - NASUWT Riverside Band (Chester le Street) & Concord Brass Band (Copenhagen). A Durham Brass Festival event.

Haftor Medbøe & Will of the People Quartet: Global Brass Jam - Live - Gala Theatre, Millennium Place, Durham DH1 1WA. 10:30pm. £10.00. (£8.00. concs.). Pan-European jam session. Will of the People Quartet line-up: Haftør Medboe (saxophones); Pete Furniss (clarinets); Jacob Karlzon (piano); Tom Bancroft (drums). A Durham Brass Festival event.

Blues/Soul/Funk/Country

Sold out!

k.d.lang - Summertyne Americana Festival, Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 7:30pm.

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The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 03, 2015

CD Review: Phil Donkin – The Gate

Phil Donkin (double bass), Ben Wendel (tenor saxophone), Glenn Zaleski (piano) & Jochen Rückert (drums)
(Review by Russell)
From Sunderland to London to New York and on to Germany – bassist and composer Phil Donkin has travelled the jazz world. The Gate is Donkin’s debut release as a leader. Recorded in Brooklyn, NYC during August 2013, it is only now, some eighteen months on that the CD sees the light of day.
The Gate comprises ten tracks composed by Donkin and two arrangements (Thelonious Monk’s Introspection and Dimitri Shostakovich’s Prelude no 23 in F major). The title track is a subdued, reflective piece featuring the composer’s commanding introduction and the measured response of Ben Wendel’s tenor and Glenn Zaleski’s piano. In contrast, Macon Groove and Introspection positively fly. Drummer Jochen Rückert navigates the bop language with élan and on Birthday Samba demonstrates he can handle anything the composer-bandleader throws at him as Zaleski lays down a dazzlingly fluid solo.
Butterfingers is in safe hands with this quartet; Donkin’s walking bass line encourages Wendel to strike out and when the tenor has had its say there is Donkin (he hadn’t gone anywhere) alongside the most impressive Rückert. Submerged doesn’t let up, Zaleski’s solo finding common ground with Wendel’s tenor on a late Trane vibe. Unusually the track ends on a fade-out. Perhaps the quartet played on and on, such was the groove!
One for Johnny; the title suggests a bop-era number (horn players trading etc). It is an example of twenty first century swinging, modern jazz. Yesterday at My House is the killer cut. A furious, unrelenting pace – all four musicians burn it up. At three minutes and thirty five seconds think Little Giant or Tubbs working with the best. Hear it!  
The Gate is released on Michael Janisch’s Whirlwind Recordings’ label WR4668 on March 9th. Phil Donkin tours the UK during March starting tonight (Tuesday 3rd) at the Sound Cellar in Poole, Dorset. The official album launch gig is at the Pizza Express in Soho, London on March 10th. The Gate is a serious contender for the best album release of 2015. Recommended.
Russell
Note: Jochen Ruckert is unavailable for the UK tour. Fortunately James Maddren appears at Poole and Dempsey’s, Cardiff (March 4th) and Colin Stranahan fulfills all other dates.      

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance