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Bebop Spoken There

Frank Zappa: "There was so much acid during the '60s that it was very easy for large numbers of people to think they had seen God as soon as the Beatles went boom, boom, boom, you know?." - (DownBeat May 18, 1978). – (DownBeat May 18, 1978).

Ryan Keberle: “Don't be easy on yourself when it comes to playing with perfect intonation. All other instruments will be playing with close-to-perfect intonation; the same should be expected of trombonists.'” – (DownBeat April 2018)

Today Friday March 23


Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.


Jiannis Pavlidis Trio - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 9:00pm. £8.00. (£6.00. advance).

Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Five Men No Dog - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 8:00pm (doors 7:00pm). A ‘jar on the bar’ admission event.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, March 15, 2015

CD Review: Chris McNulty - Eternal

Chris McNulty (vocals); John Di Martino (arrangements and piano); Ugonna Okegwo (bass); Gregory Hutchinson (drums) + Chamber ensemble*
(Review by Ann Alex)
Prepare to shed tears whilst listening to this CD.  This is Chris McNulty’s seventh CD since she emerged on to the international jazz scene in 1991, and it is a tribute to her son, Sam McNulty, hip-hop artist-composer Chap One, who died in 2011.  McNulty researched songbooks extensively to get the right mix of material for the album, and she has assembled an excellent set of songs.  
The CD manages to avoid being too maudlin or sentimental, probably because of the skilful arrangements and genuinely heartfelt way that the songs are sung.  The sound is lush and poignant and McNulty’s voice soars around the songs, a rich voice with just a hint of a pleasing nasal tone.  I say ‘soars around’ because she makes the tunes her own, original improvisation, sometimes cutting across the musicians, sometimes with gentle scat-like vocals.
It isn’t difficult to work out the irony of songs such as What Are You Doing The Rest Of Your Life on an album such as this – I found this to be one of the most moving tracks.  Then there’s Nature Boy; With Every Breath I Take; Where Is Love (Lionel Bart); and Boulevard Of Broken Dreams. There is one original song by McNulty herself, You Are There, a simple statement of love with minimal accompaniment.  The CD opens with the oddly titled The Saga Of Harrison Crabfeathers, which is in fact a very sad love song which is achingly appropriate:
‘Crying softly for the one who cannot be here
Through the rain she sees a face laughing in happy play
The face of a child, the child on a sunny day’.
The other tracks are A Flower Is A Lovesome Thing; Stardust; Yesterday I Heard The Rain; Love Came On Stealthy Fingers; On A Clear Day.  The arrangements include good solos from piano, horns, woodwinds and bass. The making of this CD must have taken courage by all concerned, and it has just struck me as by an odd coincidence, that this review will appear here on Mother’s Day.
The CD is released on Palmetto records on March 24  
Ann Alex
* Steve Newcomb (arranger); Mazz Swift, Josh Henderson, Amanda Lo (violins); Trevor New (viola); Meaghan Burke, Marika Hughes (cellos); Jodie Rottle (flutes); Ivan Barenboim (clarinets); John Morgan-Bush (French horn); Ben Wendel (bassoon); Paul Bollenback (guitar)

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.