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Bebop Spoken There

Tina May: "It's a broad umbrella, jazz, but to me there has to be improvisation. If that's not there, to me, it's not really jazz." - (Jazzwise March 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,132 (and counting) posts since we started blogging 13 years ago. 551 of them this year alone and, so far, 106 this month (April 22).

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Tuesday, March 10, 2015

CD Review: The Susan Krebs Chamber Band - Simple Gifts

Susan Krebs – vocals, Rich Eames – piano, Rob Lockart -  woodwind, Scott Breadman – percussion, Paul Cartwright – violin & viola.
(Review by Debra M)
Chamber ensembles developed in the era of classical music, where small group of musicians would play without a conductor in small venues and society residences, in contrast to larger orchestras conducted in formal concert halls.  ‘Simple Gifts’ is the result of a similar collaboration over several years in Southern California, between vocalist Susan Krebs and a group of jazz musicians. 
The material encompasses a wide range of musical styles, although the opening ‘Let’s Call a Heart a Heart’ is an easy going, swinging blues.  In contrast, ‘Looking Back’ a reflection on a rural childhood, has a more pastoral & classical feel with lilting phrases from violin and saxophone.  Abbey Lincoln’s ‘Throw It Away’ is outstanding; Krebs’ passionate vocal is reflected in dramatic Eastern influenced instrumentation with exquisite violin from Paul Cartwright, and great support from Scott Breadman on percussion.
Other highlights include ‘So Many Stars’ featuring Rob Lockart on free flowing soprano sax, and ‘Falling Grace’,  where the lyric is elaborated by an atmospheric soundscape,  inspired by  a winter snow storm (presumably not in California). Susan Krebs’ acting background is evident in her expressive delivery, which can be a little mannered. However, there is great cohesion and musical sympathy shared by the ensemble throughout the project.
Debra M.

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