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Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,806 (and counting) posts since we started blogging 13 years ago. 1223 of them this year alone and, so far, 50 this month (Oct. 13).

From This Moment On ...

October

Fri 15: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 15: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm..
Fri 15: Sue Ferris Quintet @ Traveller's Rest, Cockerton, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 15: House of the Black Gardenia @ Cobalt Studios, Newcastle. 8:00pm.

Sat 16: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Julija Jacenaite: Improvarium..
Sat 16: Emma Fisk & James Birkett @ St Mary's Church, Monkseaton. 7:30pm..
Sat 16: Triptych @ Sage Gateshead. 7:45pm. Trio with live visuals by Lisa Delarny. .
Sat 16: Rendezvous Jazz @ Memorial Hall, Ponteland. 8:00pm. Guest Ian Wynne (piano)..

Sun 17: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 17: Musicians Unlimited @ South Durham Social Club. 1:00pm.
Sun 17: Shunyata Improvisation Group @ Unitarian Church, Newcastle. 1:30pm.
Sun 17: Vula Viel @ The Globe, Newcastle. 8:00pm.

Mon 18: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Sue Ferris Quintet @ Traveller's Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Friday, March 13, 2015

Paul Edis Trio @ The Cherry Tree, March 11

 Paul Edis (piano); Roly Veitch (guitar/vocal); Neil Harland (double bass).
(Review by JC).
As BSH had intriguingly advertised the Wednesday night gig at the Cherry Tree as a 'good King Cole style trio' that seemed another good reason (along with the food) to go. Maybe Arthur Scargill had taken up the ukulele in his later years or Andy Cole had become a whizz on the baritone sax since he hung up his boots, but on arrival it was clear that neither was the case. The quietly distinguished looking guitarist didn't look the type to make rabble-rousing speeches and the piano player, with all due respect, didn't seem like a 20-goals a season striker (although the bass player might have made an elegant, but tough-tackling centre half).
In fact, the band turned out to be another excellent manifestation of the ever-morphing Paul Edis Trio. And what a nice trio it was, with Roly Veitch on guitar and Neil Harland on double bass.
Veitch quickly demonstrated his singing ability on Date With an Angel with nice solos from the trio, followed by Beautiful Love on which Edis revealed his considerable instrumental versatility with some fine soloing on flute. A well-crafted vocal on Long Ago and Far Away led into Darn that Dream and by now the trio were into a sweet musical groove, swopping solos and leaving spaces for each other to fill. The audience were also fully engaged.
Paper Moon was a standout number with Veitch treating the lyrics with the care and lightness such delicate material requires and supplementing them with equally subtle guitar playing. To my pleasant surprise Edis turned the trio into a quartet for this number, playing both piano and excellent clarinet (though not quite simultaneously) on this song, to the great appreciation of my friends. A very nice version of Nature Boy ended the first set.
The second set continued the high standard of the first with more fine vocals from Veitch and excellent interplay between guitar and piano on such numbers as East of the Sun, The Touch of Your Lips, Our Love is Here to Stay and Thank Your Lucky Stars. Harland on double bass provided solid rhythmic underpinning to the music and contributed a number of classy solos as well. An audience request led to Edis playing a track from his solo album, Bring Me Sunshine, and hearing the tune again revealed not only its infectious good humour but also how finely crafted this version is (the possibility of second solo album is rumoured, apparently). After this tune Roly Veitch generously and rightly commented on the fact that there were a number of excellent young jazz musicians in the region of whom Edis was undoubtedly one. Although he did exclude Neil Harland from this group, not because of his musical ability, but because he was an 'old timer'. Harland smiled benignly.
The expertise of all three was fully demonstrated in the next song, Flamingo and this was followed by My Romance. During the break our table had wondered which instrument Edis would next surprise us with and I suggested it might be the instrument du jour in Newcastle at the moment and he would pull the ubiquitous Theremin from his back pocket and play something like a stride version of Good Vibrations. As it happened it was the clarinet again on this number and very good it was too. Then the Trio rounded off the evening with It Could Happen to You.
Just to say that the food was like the music: always interesting, sometimes beautifully understated but taken to an extra level with delicate touches of technical virtuosity. A perfect combination.
JC

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