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Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,806 (and counting) posts since we started blogging 13 years ago. 1223 of them this year alone and, so far, 50 this month (Oct. 13).

From This Moment On ...

October

Fri 15: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 15: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm..
Fri 15: Sue Ferris Quintet @ Traveller's Rest, Cockerton, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 15: House of the Black Gardenia @ Cobalt Studios, Newcastle. 8:00pm.

Sat 16: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Julija Jacenaite: Improvarium..
Sat 16: Emma Fisk & James Birkett @ St Mary's Church, Monkseaton. 7:30pm..
Sat 16: Triptych @ Sage Gateshead. 7:45pm. Trio with live visuals by Lisa Delarny. .
Sat 16: Rendezvous Jazz @ Memorial Hall, Ponteland. 8:00pm. Guest Ian Wynne (piano)..

Sun 17: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 17: Musicians Unlimited @ South Durham Social Club. 1:00pm.
Sun 17: Shunyata Improvisation Group @ Unitarian Church, Newcastle. 1:30pm.
Sun 17: Vula Viel @ The Globe, Newcastle. 8:00pm.

Mon 18: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Sue Ferris Quintet @ Traveller's Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Tuesday, March 24, 2015

CD Review: George Crowley - Can of Worms

George Crowley (tenor saxophone), Tom Challenger (tenor saxophone), Dan Nicholls (piano & Wurlitzer), Sam Lasserson (double bass) & Jon Scott (drums)
(Review by Russell).
Can of Worms is saxophonist George Crowley’s second album. Recorded in July 2014 on Michael Janisch’s Whirlwind Recordings label, Crowley’s quintet comprises some of the very best of the scene’s younger musicians. London-based Loop Collective member Tom Challenger works with the bandleader as a two-tenor frontline. The rhythm section (piano bass and drums) is an integral part of the band sound, thus ‘rhythm section’ is inadequate in describing the contributions of Dan Nicholls, Sam Lasserson and Jon Scott.
The Opener is just that – a slow-burning composition igniting, indeed erupting, into an all out blast from the quintet. Drummer Jon Scott drives the band across seven titles; restless, pushing, changing direction at will. Crowley and Challenger dive in with purposeful solo flights. Ubiquitous Up Tune in 3 is up-tempo – Scott, the tenors and Nicholls’ piano solo.
Rum Punch takes its time; chiming keys, tenors calling, Scott’s drumming loose, almost free. Taut, fraught tenors squabble, bass and drums steward matters. Track five - I’m Not Here to Reinvent the Wheel – fizzes, swinging amidst the organised chaos of a free for all section, surfacing at the other end with the same fizzing energy. Baroque Wurlitzer from Nicholls complements Crowley and Challenger’s comprehensive tenor solos on Terminal
Can of Worms is an album to play again and again. It is available now on the progressive Whirlwind Recordings label (WR4666).
Russell.

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