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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, March 25, 2015

CD Review: The Ted Howe Jazz Orchestra – Pinnacle

(Review by Hugh)
Ted Howe is a Los Angeles based pianist, composer, arranger, producer and teacher.  Pinnacle is his seventh CD as leader.  The central core of the CD is Howe's Suite #1 for Jazz Orchestra.  Howe wrote the suite as his first piece of extended composition for this kind of ensemble.  The suite was premiered in 2011 at the Conant Arts Centre in Oglethorpe University in Atlanta, Georgia (Tate lived in Atlanta for many years).  The suite is presented in three movements of equal duration over a total of 18 minutes as tracks 3, 4 and 5.

Track 1, Presto for Two Trombones and Track 2, Impromptu for Trumpet nicely set the scene.  The orchestra has a lush sound and the first track features fine solos by Andy Martin and Francisco Torres.  John Patitucci also features on bass solo.  The trumpet solos on the second track are provided by Lester Walker in this sweet melodic number.
Suite #1 for Jazz Orchestra draws on the horizontal, linear approach commonly used in classical music.  Howe states that his compositions  “are not just about the music; they're also about the instruments, the varied combinations of sound they make, and how great musicians can rise to just about any challenge and take the music to new and exciting places”.
The suite has the big-band feel, with a laid-back West Coast groove, which is simultaneously pleasant on the ear and not too taxing on the brain.  It evokes for me what I used to think of in my childhood as “going over Golden Gate Bridge music” (remember Ironside?).  The suite as a whole has a definite filmic quality – listening to the suite one can imagine a series of scenes evoked by the music at that particular moment. 
The suite is followed by Adagio for Piano, featuring Ted Howe.  This retains the laid back groove with nice pianism by Howe, but no fireworks.  Jazz Etude for Three Clarinets features solos by Sam Skelton on E flat clarinet and John Patitucci on acoustic bass.

The CD as a whole then, does not challenge, but if you like this kind of thing (which I do) is a fine example of the oeuvre.  Pinnacle was released on March 3 on the Hot Shoe Worldwide label, catalogue number HSW 102.  It is available from hotshoerecords.com or cdbaby, but as far as I can see is not yet listed on either amazon.co.uk or amazon.com at the time of writing.
Hugh.
Ted Howe (piano); Geoff Hayden  (piano, Rhodes); John Patitucci (acoustic and electric bass); Marlon Patton (drums); Jose “Bam Bam” Ramirez (percussion); Don Baraszu (acoustic and electric guitar); Sam Skelton (flute, clarinets, soprano and alto sax); Don Erdman (clarinet, tenor sax); Seth Kuehn (baritone sax, bass clarinet); Mike Barry, Melvin Jones and Lester Walker (trumpet, flugelhorn); Wes Funderburk, Tom Gibson, Andy Martin and Francisco Torres (trombone).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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