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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16611 (and counting) posts since we started blogging 16 years ago. 1504 of them this year alone and, so far, 50 this month (July 23).

From This Moment On ...

July

Thu 25: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Garry Hadfield (keys); Noel Dennis (tpt); Richie Emmerson (tenor sax); Adrian Beadnell (bass).
Thu 25: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Bailiwick + Sleep Suppressor + Christie/Chan @ The Globe, Newcastle. 7:30pm (doors 6:30pm). ‘Experimental evening of jazz, punk and jazz-punk’.
Fri 26: Nomade Swing Trio @ Repas7 by Night, Berwick. 7:30pm. Free.
Fri 26: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Fri 26: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Fri 26: Bold Big Band @ Old Coal Yard, Byker, Newcastle. 9:30pm. A Newcastle Fringe Festival event.

Sat 27: BBC Proms: BBC Introducing stage @ The Glasshouse, Gateshead. 12 noon. Free. Line-up inc. Nu Groove (2:00pm); Abbie Finn Trio (2:50pm); Dilutey Juice (3:50pm); SwanNek (5:00pm); Rivkala (6:00pm).
Sat 27: Nomade Swing Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 2:00pm. Free.
Sat 27: Mississippi Dreamboats @ Prohibition Bar, Newcastle. 8:00pm.
Sat 27: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sat 27: Theon Cross + Knats @ The Glasshouse, Gateshead. 10:00pm. £22.00. BBC Proms: BBC Introducing Stage (Sage Two). A late night gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 28: Miss Jean & the Ragtime Rewind Swing Band @ Fonteyn Ballroom, Dunelm House (Durham Students’ Union), Durham. 2:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Nomade Swing Trio @ Red Lion, Alnmouth. 4:00pm. Free.
Sun 28: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 28: Jeffrey Hewer Collective @ The Globe, Newcastle. 8:00pm.
Sun 28: Milne Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: ???

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 31: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 31: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Monday, March 23, 2015

CD Review: Vicky Tilson Quartet – Mojo Risin'


Vicky Tilson – double bass; Dee Byrne - alto sax; Stuart Fiddler – guitar; Reinis Axelsson - drums
(Review by Hugh C).
Vicky Tilson, a graduate of the Guildhall post-grad jazz course, formed her first quartet in 2009 and released an album, Picture from Jitske, in the same year.  Tales from a Forgotten City followed in 2010. 
Mojo Risin’, recorded at the Cable Street Records studios in East London where Reinis Axelsson worked as a sound engineer, enabled Tilson to record in analogue and “give the album a certain warmth that digital does not”.
The album features three re-recorded stand out tunes from the quartet's first two albums, together with six new pieces exploring themes of depression, determination, immortality and patience.
A total of just over 58 minutes. 
Inspiration came from the words of Jim Morrison in The Doors song LA Woman -Mr Mojo Risin’ ”.  Tilson considers mojo risin’ to embody “everything that is good about a person on the rise; improving, developing into something spectacular like a phoenix rising from the ashes”.  She felt that was how her life was going as she composed the album, having recently been through her own personal annus horribilis.
Only the Brave starts with a rhythmic groove by the bass 'n drums soon joined by Byrne on alto and Fiddler on guitar.  The track has a funky feel with short solo passages from each.  Black Dog takes the mood down (literally) soon to morph into a kaleidoscopic whorl of sound from Byrne's alto, to be followed by steady state in four, with some nice solo work from Fiddler's guitar.  Better Late Than Never has a more uplifting feel with clever interplay between alto and guitar over a driving tempo set by the rhythm section.  Funk is back with Boho Chic featuring nifty guitar work by Stuart Fiddler over Axelsson's drums.  Headlovin' continues in the upbeat tempo with stratospheric squeals from Byrne's alto interspersed with finger pickin' good guitar work by Fiddler. 
The Eternal Ending isn't - there's still three more tracks to go!  This features a beautiful melodic line by Byrne on alto sax.  There’s no let-up in the rhythm though.  As one might expect when the band leader is a bassist there is extensive bass solo work! 
The pleasant thing to this reviewer is how the solos are seamlessly integrated into the musical narrative.  Pas du Tout has a more reflective feel than the preceding tracks allowing for a more spread out appreciation of each instrumentalist’s contribution to the whole.  The Crunch and The Kicker take us out with an almost drum 'n bass feel to the latter.
This is a crackling listen – buy it! – available March 23 on the F-IRE label.  Catalogue number F-IRECD79.   The Quartet have gigs coming up in the South and in Northern Ireland.  These guys would sound great in the some of the more intimate venues here in the North East – programmers take note!
Hugh C.

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