Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18336 (and counting) posts since we started blogging 18 years ago. 190 of them this year alone and, so far this month (Feb. 28), 90

From This Moment On ...

March

Sun 08: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 9:30am. School Section & Youth Section (all day). £10.00. (£20.00 weekend ticket). Day 3/3.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: TRIO-SKW @ Queen’s Hall, Hexham. 3:00pm. Josh Savage (drums); Lucas Kelly (organ); Tim ‘Bim’ Williams (guitar).
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Trish Clowes’ My Iris @ The Globe, Newcastle. 8:00pm.
Sun 08: Durham University Big Band & Foot Notes @ Elvet Methodist Church, Durham. 7:30pm. £10.00., £8.00., £6.00. Big band & a cappella ensemble.

Mon 09: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, January 22, 2015

CD Review: Casey Golden Trio - Outliers

Casey Golden (pno); Bill Williams (bs); Ed Rodrigues (dms/perc).
(Review by Lance).
Contemporary trio of young Australian musicians based in Sydney playing original pieces composed by Golden. The pianist began studying classical piano at the age of 5 and much of that early knowledge seems to have stayed with him even though by the time he was 17 he'd won a BBM (Big Brother Movement Youth Support) Award enabling him to study in London with various jazz musicians. This was in 2005 and his teachers included John Taylor, Kit Downes and Gwilym Simcock.

On his return to Sydney, he completed a Bachelor of Music majoring in jazz piano, and a Bachelor of Arts, both degrees earned with Distinction, from the University of New South Wales.
Outliers is Golden's second album and his first with the current trio. The themes are interesting, often with repetitive motifs reminiscent of EST and other contemporary piano icons. His playing is angular and agile, rarely choosing the linear, rich, chordal patterns of his predecessors - if Bach had been the jazzman they said he would have been had he been born 250 years later (in New York) then he may well have played like this. What is sure is that if  Golden and JS "Mighty" B had met up in a Sydney Bar they would have commandeered the old upright in the corner and traded choruses - each learning from the other!
Not that this is a one man show - no Master/Serfs set up here. Each musician has his own distinctive voice frequently moving in different directions but never divergent enough to jar the senses or to detract from the overall mood. Rodrigues complements Golden's extravagances by either laying back or exploding as the composition demands. Williams, as sound as a middle order Aussie batsman, ensures there will be no follow on although, from a musical point of view, we hope there will be in the form of another recording!
Released January 20.
Lance.
PS: The fantastic cover art - and I use the word advisedly - is by Ron Frenz (Marvel/DC Comics).

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