Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,086 (and counting) posts since we started blogging 18 years ago. 950 of them this year alone and, so far this month (Nov. 7) 20.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Thu 12: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 12: JANE @ Brunswick Methodist Church, Newcastle. 2:00pm. £5.00.
Thu 12: MoonMot + Jack Banjo’s Snackwall @ Cobalt Studios, Newcastle. 7:00pm.
Thu 12: Ratio: Swingin’ Through the Decades @ The Forum, Darlington. 8:00pm (7:30pm doors). £10.00. A charity fundraiser.
Thu 12: Look Left @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Thu 12: Michael Woods @ The Black Swan, Newcastle. 7:30pm. Free (donations). Acoustic blues.

Fri 13: Giles Strong Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Giles Strong (guitar); Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 13: Lapwing Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00. Richard Herdman, Nick Bagnell, Paula Whitty.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. CANCELLED! Returns next week (Fri 20th).
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Northern Monkey Brass Band @ Hexham Lantern Parade, Bandstand, Sele, Hexham. 6:00pm. Free.
Fri 13: Sharp Collective @ Dry Water Arts, Amble. 7:00pm.
Fri 13: East Coast Swing Band @ The Exchange, North Shields. 7:30pm.
Fri 13: Guisborough Big Band @ Saltburn Golf Club. 7:30pm. Tickets: £15.00 (inc. pie & peas

Sat 14: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. £95.00. Day 1/2. SOLD OUT!
Sat 14: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 14: Pete Tanton’s Chet Set @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20 (inc. bf); £11.00 concs (inc. bf).
Sat 14: Red Kites Jazz @ Staiths Café, Gateshead. 7:00pm.
Sat 14: Tweed River Jazz Band @ Tweed Gallery, Berwick. 7:30pm. Free.

Sun 15: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. Day 2/2. SOLD OUT!
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: James Birkett & Emma Fisk @ The Waiting Room, Eaglescliffe. 7:00pm. £48.18 (to include dinner); £17.43 (concert only).
Sun 15: Sarah Gillespie & Chris Montague @ Cluny 2, Newcastle. 7:30pm (doors). £18.00.
Sun 15: Liane Carroll @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Solo performance. SOLD OUT!

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Wed 18: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Tuesday, October 07, 2014

Haste/ Kinsella/Noble/Batchelor @ Newcastle University. October 3










Haste (right): Ingrid Laubrock (tenor sax); Hannah Marshall (cello); Veryan Weston (piano).
Kinsella/Noble/Batchelor (left): Lauren Kinsella (voice); Chris Batchelor (trumpet); Liam Noble (piano)
(Review by Steve H/ photos courtesy of Ken Drew.)
Due to the late arrival of the first band who had been taken suddenly hungry in a local restaurant we were treated to an impromptu solo performance from free piano jazz wunderkid Veryan Weston.
A suitably replete Kinsella, Noble and Batchelor trio returned from their gastronomic adventure to take the stage for the first half of the scheduled programme. Kinsella is a vocal virtuoso  using the full range of her voice to improvise extensively. 
At times it felt like she was performing  scenes from a one woman play although the dialogue appeared to be ‘speaking in tongues’ rather than recognizable words.  Noble played his piano literally inside and out whilst Batchelor was not only outstanding on trumpet but with the assorted tubes and plungers he brought along to mutate his sound there was the added bonus that should the need arise he would have all the equipment necessary to unblock any drains. The band completed their set to a great ovation and were persuaded by a more than reasonably sized audience to perform an encore.
I am unable to name any of the tunes they played because as with the headline act there was zero communication with the audience. Neither of the bands introduced its members let alone the pieces they were playing. Maybe as artists they feel their music speaks for itself.
Personally I feel a little interaction between the band and the audience enhances the live experience but as Ronnie Scott once said ‘Quiet please you’re not here to enjoy yourselves’.     
After the interval Haste performed one long piece of ‘Chamber Jazz’ with all three members displaying great virtuosity and inventiveness on their respective instruments Marshall plucking her Cello at times to great aplomb whilst Laubrock produced an array of interesting and exotic sound effects from her tenor. The trio seemed to combine transcendentally and I was quite swept away as I surfed along the improvisational wave. At the end of the show I was left pontificating  as to  just how they managed to create such as a complex interactive piece of work.  To conclude I will improvise on that old English proverb – ‘Music with Haste, Recital a Pleasure’.  
Steve H.

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