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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 19, 2014

Clouts’ poetic jazz heads north by degree

You don’t need a degree in Social Anthropology from Cambridge University to play jazz but it certainly helped pianist and composer Philip Clouts.
South Africa-born Clouts, who brings his new quartet to the Jazz Café in Newcastle on Friday October 31 on their way to a Scottish tour, was just finishing his studies at Cambridge when he had an epiphany. Realising that he wanted to contribute to his own culture instead of studying other ones, he decided to concentrate on music and specifically the South African jazz style that had followed him to London, where he grew up.
“At that time in the 1980s there were many exiled South African musicians in London,” he says. “Some, like Dudu Pukwana, the great saxophonist, had come over in the 1960s, as my own family had done, with the Blue Notes who became celebrated very quickly for their vibrant music. But there were others from a younger generation, including drummers Brian Abrahams and Thebe Lipere and for me most notably the pianist Bheki Mseleku who was a great source of inspiration and who mentored me for a short while.”
The group Clouts formed on returning to London from Cambridge, Zubop, benefited as a whole from the exiled musicians’ input into their playing. As well as Mseleku showing Clouts the ropes, Thebe Lipere joined Zubop for their first few gigs, playing his distinctive African drum kit, and with this “rubber stamping” of their efforts, the band went on to be very popular on the live music circuit, subsequently expanding into ZubopGambia, which featured the BBC World Music Awards-winning riti, or one-string fiddle, player Juldeh Camara.
In 2006, Clouts decided to leave London for Dorset and began a new phase of music-making inspired by the coast where he lives. He continues to draw inspiration from South African music and from music from all around the world, including Cuba and South America, but something of his father, respected poet Sydney Clouts’ talent has emerged also in Clouts’ compositions that have been inspired by the Dorset landscape.
“There are ways in which my composing has been shaped by both my father and my uncle Cyril Clouts, who was a musician and composer too,” says Clouts, whose new group features saxophonist Tom Ward, bassist Tim Fairhall and the Yamaha Jazz Scholarship-winning drummer Dave Ingamells. “Cyril created very expressive music in the 1960s and 1970s and my father was profoundly affected by the landscape around Cape Town, and I like to think that living near the sea has drawn me closer to his ability to express his response to nature, except I use notes where he used words.”
Tour dates:
Fri Oct 31: Jazz Café, Newcastle
Sat Nov 1: Auchenblae Village Hall
Sun Nov 2: Edinburgh The Jazz Bar
Mon Nov 3: St Andrews - The Inn at Lathones
Tue Nov 4: Aberdeen Lemon Tree
Wed Nov 5: Glasgow Woodend Tennis & Bowling Club
Thu Nov 6: Dunfermline Carnegie Hall
Fri Nov 7: The Atrium at Clitheroe Castle.
Rob Adams.


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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance