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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Monday July 15

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Mnozil Brass: Cirque - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £23.00. (£19.00. concs.). A Durham Brass Festival event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 12, 2014

CD Review: Eyeshutight – Resonance

Johnny Tomlinson (piano & keyboards), Paul Baxter (double bass) & Kristoffer Wright (drums)
(Review by Russell)
Eyeshutight (Eyes Shut Tight) hit the road mid-October to promote their third album. Resonance resonates with the quiet, reflective approach adopted and refined by a tour-hardened, working trio. Formed in 2010 by bassist Paul Baxter, Eyeshutight draw on myriad influences; twentieth century classical composition, contemporary pop and the inevitable cult of small group jazz outfits – Keith Jarrett, the Bad Plus, EST.
Eight tracks recorded at Valleywood Studios, Leeds present a cohesive musical vision. The title track – Resonance – opens the album with typical understatement. A stillness permeates the writing; focused, deliberate, the melody marinating in the ether. Johnny Tomlinson’s piano statements emerge blinking into the sunlight on several tracks then never overplaying his hand, take refuge in the shade. Kristoffer Wright’s drumming is that of a percussionist, adapting his fulsome technique to the trio sound (deploying the use of mallets with great sensitivity) and Baxter is the least demonstrative of bassists – the quiet essence of the music.
Several tracks have been heard in concert and this recording presents (and documents) the trio’s musical development to date. The Precipice crackles with restrained power, a use of keyboards alongside acoustic piano adds to Tomlinson’s palette throughout the recording and repeated listening to Resonance will reward the attentive listener.
Resonance is released by Hungry Bear Records (HBR001) on 21 October 2014. The trio can be heard on tour during October and November (inc. the Jazz Café, Newcastle, October 24).                 
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance