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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Monday July 15

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Mnozil Brass: Cirque - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £23.00. (£19.00. concs.). A Durham Brass Festival event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 13, 2014

Shatner’s Bassoon @ The Bridge Hotel. October 12

Craig Scott (guitar), Johnny Richards (keyboards), Michael Bardon (electric bass), Andrew Lisle (drums) & Joost Hendrickx (drums)
(Review by Russell/photo courtesy of Ken Drew)
In the last week Newcastle has seen audience numbers ranging from single figures to a sold out show turning people away. Sadly, this week’s Splinter promotion at the Bridge must be added to the former category. Leeds’ hothouse product Shatner’s Bassoon gave an intimate, if loud, performance to a drawing room select audience.
Rehearsed to the nth degree, the regular sextet worked as a quintet with the absence of Ollie Dover detracting little, if anything, from the performance. The band’s fulcrum is a constantly shifting beast; Johnny Richards (keyboards), Michael Bardon (bass) or local lad Andrew Lisle (drums). Richards’ three keyboards (one on a conventional stand, one perched on two stools, another periodically in his lap) dictated the direction of the music until a shift in focus to Bardon using his instrument as a giant baton, then the Zorn-like precision of the brilliant, brutal Lisle. Joost Hendrickx, no shrinking violet, to a degree played second fiddle (drums, actually) to the man originally from Morpeth.
Two highlights; Hendrickx engaged Craig Scott (guitar) in a thrilling exchange on Boat Comforts. Not to be outdone, Lisle went toe to toe with Scott in a brutal bout, slugging it out at a million miles per hour. The ability to do such things comes from wood-shedding  for hours on end at Leeds College of Music. It is unlikely that Shatner’s Bassoon and the Newcastle University power-jazz trio Taupe ever crossed paths. One thing is for certain – if they did there would be a mutual admiration.
The low turn-out a disappointment, those into trio VD, Zorn and Sylvain Darrifourcq would have got it. They should have been at the Bridge. Next week’s gig (Sun 19 Oct) is a Splinter-Jazz North East co-promotion featuring the north of England improv tentet Engine Room Favourites. 
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance