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Bebop Spoken There

Ed Palermo: "[Frank] Zappa's humor was very rarely self-deprecating, and mine is almost always self-deprecating. The beauty of it is that no one gets hurt." - (DownBeat February, 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,191 (and counting) posts since we started blogging 13 years ago. 610 of them this year alone and, so far, 18 this month (May 4).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Tuesday, September 30, 2014

Sid Scott Orchestra @ The Bridge Hotel. September 28

Ray Truscott (electric bass), Paul Gowland (tenor & alto saxophones, synthesizer) & Paul Wight (drums)
(Review by Russell).
Sid couldn’t make the gig with HMRC on his trail. The other Sids did make it. Confused? You will be. The ‘orchestra’ packed a punch. The massed ranks of the sections distilled, a familiar-looking trio took to the floor promising/threatening Weather Report stadium-gig power in the upstairs room at the Bridge Hotel. Those in the know took back row seats.
Jack and Joe gave a clue as what to expect from Sid & co. Jaco Pastorius (Jack) and Joe Zawinul (Joe) featured prominently during the evening. Six string Ray Truscott revisited seventies electric bass playing territory, a synthesized Paul Gowland blew torrents (tenor and alto) and added something Zawinul-like at a lap-topped keyboard.
Meanwhile, Sid (too many Sids in this band) kicked seven shades out of his kit, giving a power-drumming masterclass endorsed by Mahavishnu Billy Cobham. Sid, the drummer (aka Paul Wight) did use brushes as and when, and the set-list did allow some relief from a Weather Report-style power-feast. The rather incongruous Bossamba made way for a tune inspired by Mingus with the catchy title Pass the Hat Charlie Someone Stole the Pie. The naming of tunes prosaic, none more so than Thanks John (Coltrane), paid homage with an element of My Favourite Things and it wasn’t such a stretch to hear Giant Steps. Sid likes Miles, Four Miles took us close to Seven Steps to Heaven.
The Sid Scott Orchestra is a work in progress; retro, respectful, searching. A Jazz Co-op gig at the Globe is in the diary, get along to follow the progress of Sid, Sid and PG.
Russell.

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