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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Rockafellas - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Bradley Johnston Trio + Giles Strong Trio - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00.

Dan Garel & Friends - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm (doors). £6.00. (£3.00. student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 03, 2014

Jazz Café Jam Tuesday September 2.











Peter Gilligan (pno); Paul Grainger (bs); Paul Wight (dms) + Paul Gowland (alt); Johnny Davis (ten); Bradley Johnston (gtr); Jen Errington (vcl); Ian Forbes (dms); Ray Truscott (bs gtr); Oliver ? (dms); ? (bass).
(Review/colour photo by Lance. B&W photo by Mike Tilley).
Re-opened after the summer recess, "The Caff" was buzzing tonight. The air of expectancy high and the ultimate delivery even higher.
The house trio got off the mark with a set that included pieces by Horace Silver, Hampton Hawes and Bud Powell along with standards such as Autumn in New York and Beautiful Love. No one does this material better than Gilligan and co.
Paul Gowland, his alto underslung, excelled on A Night in Tunisia that moved along only slightly slower than the speed of light and certainly contained an element of surprise! More relaxing was My One and Only Love featuring a laid back solo from Grainger.
Truscott brought his six string bass guitar to the party, Johnson added a further six strings, Davis gave it some colour with his trademark blue hat and black lacquered tenor and le tout ensemble played I Wish I Knew How it Feels to be Free. They know now!
Days of Wine and Roses saw sanity restored. Ian Forbes took his place behind the re-arranged kit (Wight blows southpaw) and Bradley played a sensitive version of How Insensitive.
The tall and tanned Jen Errington, arrived on the back of a week in France under the tutelage of Anita Wardell and, judging by September in the Rain and Speak Low, it had obviously paid off.
Two more sitters in. Oliver, a student of Paul Wight's, played drums and a young bass player whose name I did get but have since forgotten. This is no reflection on the young man's playing (both he and Oliver were excellent) but more due to the intake of Geordie Jazz (4.3%) that brought on a short term memory lapse.
Lance.

1 comment :

Oliver Reavell said...

Hi Lance! Nice blog. Really enjoyed that jam, first time I've been down since it was revitalised. My mate on the bass was Sam Flynn! (And my surname is Reavell. Paul recorded our rock band in his home studio back when we were doing our Gcses heh, great to catch up with him again!
All the best,
Oliver

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance