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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Wednesday, September 17, 2014

Jazz Café Jam September 16

Peter Gilligan (pno); Bradley Johnston (gtr); John Pope (bs); Paul Wight (dms) + Brian Lynham (hca/vcl); Hannah Wilson (vcl); Ray Truscott (bs gtr); Kathryn Lowdon (vcl).
(Review by Lance/photo by Mike Tilley).
The house trio became a quartet tonight with the addition of  Bradley on guitar. How well this young man has mastered the idiom slotting in comfortably with Gilligan, Wight and Pope John - the latter depping for the absent Paul Grainger.
Days of Wine and Roses took off as if the bar and the florist were about to close in 3 minutes time! The quartet made it! Johnston provided the melody for All the Things You Are, Gilligan took us to Dear Old Stockholm followed by some Latin rhythms on that bossa nova with 20 different names. Tonight it may have been sailing under Carnival. 
Brian Lynham brought his harp to the party and he was asked to play. Stormy Weather was the forecast although later he gave us a rockin' version of Summertime complete with vocal to complement the bluesy sounds from his Hohner 270.
Bradley kept the blues theme going with Things Ain't What They Used to Be. On piano, Gilligan, oblivious to the instruments failings, was playing a blinder and never more so than on Anthropology taken at Tempo Di Lick (fast!) guitar and piano playing in unison.
A new kid on the block was Hannah Wilson who gave an imaginative rendition of My Funny Valentine - look forward to hearing her again.
The Pope took a well-earned break and Ray Truscott (pictured with Bradley Johnston) added a couple of extra strings to the bass section and admitted he had Met Miss Jones.
Skylark and Canteloupe Island kept the ball in play. The former delicate and reflective, the latter funky and soulful. 
John Pope came back on for the bass feature Mr PC - a tune dedicated to former Miles Davis bassist Paul Chambers and nothing to do with being a computer, a constable or a politically correct person.
Other gems included Moonlight in Vermont, Chick Corea's 500 Miles High and In a Mellotone before the ebullient Ms Lowdon socked it to us with Stormy Monday.
Another good day at the office.

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