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Bebop Spoken There

Steve Race: "The personnel is different, notably in the inclusion of Ben Webster, always, to my mind, a rather half-hearted tenor player" - - New Musical Express, 16-9-1949.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,508 (and counting) posts since we started blogging 13 years ago. 926 of them this year alone and, so far, 90 this month (July 27).

From This Moment On

Wed 28: Ragtime Rewind Swing Band @ Assembly Rooms, 40 North Bailey, Durham DH1 3ET. 9:20pm. £8.00. A Durham Fringe Festival event (www.durhamfringe.co.uk).

Thu 29: Vieux Carré Jazzmen @ The Holystone North Tyneside. 1:00pm.

Thu 29: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.

Sat 31: Lindsay Hannon @ Prohibition Bar, Newcastle. 8:00pm. Lindsay previews new, original material.

Sat 31: jaktar + Johnny Richards @ Lit & Phil, Newcastle. 8:00pm. JNE promotion.

August

Sun 01: Vieux Carre Hot 4 @ Spanish City, Whitley Bay. 12 noon.

Sun 01: Jeffrey Hewer Quartet @ The Globe, Newcastle. 8:00pm. Leeds College of Music graduate guitarist (Masters, Jazz Performance & Composition).

Saturday, September 13, 2014

Juliet Kelly @ The Black Swan. September 11

Juliet Kelly (vocals), Nick Ramm (keyboards), Oli Hayhurst (double bass)& Eddie Hick (drums)
(Review by Russell/photo courtesy of Ken Drew.)
Juliet Kelly made an overdue Newcastle appearance with her Spellbound Stories show.   Ten songs inspired by novels (mainly twentieth century works) formed the basis of the two-set performance. Kelly’s band comprised top-flight musicians familiar to Tyneside audiences – Nick Ramm, Oli Hayhurst and Eddie Hick. The Black Swan venue in the basement of Newcastle Arts Centre was sparsely populated, but as Kelly was to discover, she was in the presence of a select, well-read audience!
Paolo Coelho, Toni Morrison, Audrey Niffenegger, Arundati Roy, Alice Walker – prize-winning authors all, copies of their works borrowed from local libraries or sitting on the bookshelves of  the Tyneside literati, Kelly was preaching to the converted. Nick Ramm worked as Kelly’s accompanist, scene-setter and improviser coaxing an array of sounds from his keyboards (variously acoustic, electric, Hammond and Old School BBC Stereophonic Workshop). The bass and drums partnership of Hayhurst and Hick guaranteed a swinging foundation and from time to time they stepped up to solo with aplomb.
Kelly’s response to Toni Morrison’s Beloved proved particularly effective (recalling Adelaide Hall’s wordless vocals to the 1927 landmark recording of Creole Love Call) in a sustained lower register delivery. The song cycle complete, the literati demanded Kelly returned to the stage. Emile Brontë’s Wuthering Heights (sans screeching) knocked spots off you know who.           
Russell.

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