Total Pageviews

Bebop Spoken There

Sting: "It was great. They [the River City Jazzmen] all wore blue suits. The band had been together for about twenty years, which was the same age as the suits." - (Melody Maker Sept. 22, 1979).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday October 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 3:00pm/5:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, September 13, 2014

Juliet Kelly @ The Black Swan. September 11

Juliet Kelly (vocals), Nick Ramm (keyboards), Oli Hayhurst (double bass)& Eddie Hick (drums)
(Review by Russell/photo courtesy of Ken Drew.)
Juliet Kelly made an overdue Newcastle appearance with her Spellbound Stories show.   Ten songs inspired by novels (mainly twentieth century works) formed the basis of the two-set performance. Kelly’s band comprised top-flight musicians familiar to Tyneside audiences – Nick Ramm, Oli Hayhurst and Eddie Hick. The Black Swan venue in the basement of Newcastle Arts Centre was sparsely populated, but as Kelly was to discover, she was in the presence of a select, well-read audience!
Paolo Coelho, Toni Morrison, Audrey Niffenegger, Arundati Roy, Alice Walker – prize-winning authors all, copies of their works borrowed from local libraries or sitting on the bookshelves of  the Tyneside literati, Kelly was preaching to the converted. Nick Ramm worked as Kelly’s accompanist, scene-setter and improviser coaxing an array of sounds from his keyboards (variously acoustic, electric, Hammond and Old School BBC Stereophonic Workshop). The bass and drums partnership of Hayhurst and Hick guaranteed a swinging foundation and from time to time they stepped up to solo with aplomb.
Kelly’s response to Toni Morrison’s Beloved proved particularly effective (recalling Adelaide Hall’s wordless vocals to the 1927 landmark recording of Creole Love Call) in a sustained lower register delivery. The song cycle complete, the literati demanded Kelly returned to the stage. Emile Brontë’s Wuthering Heights (sans screeching) knocked spots off you know who.           
Russell.

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance