Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18721 (and counting) posts since we started blogging 18 years ago. 585 of them this year alone and, so far this month (July 18) 49

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Sun 19: Brass Boat Cruise @ Boathouse, Elvet Bridge Jetty, Durham City. Departures at 10:30am, 12 noon, 1:30pm, 3:00pm. £12.00., £10.00., £5.00 (all prices + bf). Durham Brass Festival. Various bands.
Sun 19: Jacob Egglestone Trio @ The Bandstand, The Sele, Hexham. 12 noon. Free.
Sun 19: Tyne Valley Big Band @ Bishop Auckland Town hall. 2:00pm. £7.00 (inc. bf). A Durham Brass Festival event.
Sun 19: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 19: Michael Young Trio @ Engine Room, Sunderland. 2:30pm. Free.
Sun 19: Mejedi Owusu w. Francis Tulip Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 19: SwanNek @ The Bandstand, The Sele, Hexham. 2:00pm. Free.
Sun 19: Nomade Swing: Dos Guitars Trio @ Twelve 06, High St., Newbiggin-by-the-Sea NE64 6DR. 3:00pm. Free. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Sun 19: Dale Storr: The Sounds of New Orleans @ The Globe, Newcastle. 8:00pm. Solo piano. POSTPONED!

Mon 20: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 20: Mejedi Owusu w. Francis Tulip Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. SOLD OUT!

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Joe Deans.

Wed 22: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 23: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 23: Side Café Orkestar @ New castle Arts Centre. 7:30pm. Free. Balkan, Hot Club, Klezmer.
Thu 23: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 24: Ruth Lambert Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 25: Sing Jazz! workshop @ The Globe, Newcastle. 2:00-5:00pm. £27.50. Tutor: Alexia Gardner. Cheek to Cheek - Ella Fitgerald. Enrol at: learning@jazz.coop.
Sat 25: Red Kites Jazz @ Costa Café (within Next), MetroCentre, Gateshead. 2:00-3:00pm. Free.

Sunday, April 06, 2014

GIJF Day Two - The Spring Quartet. Sage Gateshead April 5

Joe Lovano (saxes); Esperanza Spalding (bs/vcl); Leo Genovese (pno); Jack DeJohnette (dms).
(Review by Lance).
On paper this was it! The session to end all sessions - the Jazz Cup Final. Four superstars on the one stage what could possibly go wrong?
Lovano a great tenor player, DeJohnette a living legend, Genovese an outstanding pianist and Spalding possibly the worlds best known double bassist, the ingredients were all there and yet...
For me it didn't click. Solowise they all excelled from time to time - Genovese in particular had an outing that brought back memories of a gig he did with Michael Janisch at the Lit and Phil a couple of years back. Lovano is undoubtedly a tenor titan but Toussaint left a longer lasting impression with me. DeJohnnette also had a tremendous solo and Spalding proved worthy of her reputation as a class act both bass-wise and in her vocalese excursions so what went wrong?
The material didn't grab me. Sure there was variety a-plenty but somehow it didn't hold me the way it should have done. I'm in the minority here I know but one can only write from a personal point of view. Perhaps if I hadn't heard Jean Touissaint earlier, or the Spring Quartet had been playing in the more intimate confines of Hall Two or I'd backed Balthazar King each way it would have different.
With Touissaint I felt as though I was a part of what was happening, here It was as if I had my nose rubbed up against the windowpane.
Still I have to confess that several hundred others disagreed with me so what do I know?!
Lance.

5 comments :

Debra Milne said...

Agree with you Lance, as did a number of people who left the gig before the end....

Jude Murphy (on F/b) said...

I liked them.

Ken Drew (on Twitter) said...

Good review by Lance - it didn't do it for me either. Expectations were high - delivery erratic. How come ?

Jamie said...

I agree about the Spring Quartet but have always found Neset a more original, exciting and expressive tenorist than Toussaint.

Anonymous said...

We wanted to leave after the first two songs, but we were stuck in the middle of Row C and didn't want to inconvenience people. We actually endured an hour of it in the end - and endured is the right word. The people in the row were massively pissed off when we asked them to stand to let us out and we got some filthy, horrible looks. I don't doubt their individual musicianship but the compositions were poor, overpowering and you're right, it just didn't work.

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