Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18721 (and counting) posts since we started blogging 18 years ago. 585 of them this year alone and, so far this month (July 18) 49

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Sun 26: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 26: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 26: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 26: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free. CANCELLED!
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Bright Street Big Band @ Sandhaven Amphitheatre, South Shields. 3.30-5.30pm.
Sun 26: Jo Harrop & Jamie McCredie @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00.
Sun 26: King Bees @ Luckies, Jesmond, Newcastle. 8:00pm. Free. Chicago blues.

Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Liam & Shayo @ Newcastle Arts Centre. 7:30pm. Free. Liam Oliver (guitar), Shayo Oshodi (vocals).

Wed 29: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Abbie Finn Trio @ Music Dept., Durham University. 9:15pm. A Durham Fringe Festival event

Thu 30: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 30: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 30: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes. .

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Red Kites Jazz @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 31: Milne Glendinning Band @ Repas 7 by Night, Berwick. 8:00-9:00pm. £6.00. A Berwick Fringe Festival event. £6.00 (£6.00 wristband access to all Fringe events).

August

Sat 01: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 1/2.
Sat 01: Jim Wright’s Rhythm Deluxe @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 01: Tees Bay Swing Band @ Saltburn Bandstand. 2:30-4:30pm. Free.
Sat 01: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival. 1/2.
Sat 01: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: The Swing Commanders @ The Amphitheatre, Stockton. 9:00-10:30pm. Free. Stockton International Riverside Festival.

Sunday, April 06, 2014

GIJF Day Two - The Spring Quartet. Sage Gateshead April 5

Joe Lovano (saxes); Esperanza Spalding (bs/vcl); Leo Genovese (pno); Jack DeJohnette (dms).
(Review by Lance).
On paper this was it! The session to end all sessions - the Jazz Cup Final. Four superstars on the one stage what could possibly go wrong?
Lovano a great tenor player, DeJohnette a living legend, Genovese an outstanding pianist and Spalding possibly the worlds best known double bassist, the ingredients were all there and yet...
For me it didn't click. Solowise they all excelled from time to time - Genovese in particular had an outing that brought back memories of a gig he did with Michael Janisch at the Lit and Phil a couple of years back. Lovano is undoubtedly a tenor titan but Toussaint left a longer lasting impression with me. DeJohnnette also had a tremendous solo and Spalding proved worthy of her reputation as a class act both bass-wise and in her vocalese excursions so what went wrong?
The material didn't grab me. Sure there was variety a-plenty but somehow it didn't hold me the way it should have done. I'm in the minority here I know but one can only write from a personal point of view. Perhaps if I hadn't heard Jean Touissaint earlier, or the Spring Quartet had been playing in the more intimate confines of Hall Two or I'd backed Balthazar King each way it would have different.
With Touissaint I felt as though I was a part of what was happening, here It was as if I had my nose rubbed up against the windowpane.
Still I have to confess that several hundred others disagreed with me so what do I know?!
Lance.

5 comments :

Debra Milne said...

Agree with you Lance, as did a number of people who left the gig before the end....

Jude Murphy (on F/b) said...

I liked them.

Ken Drew (on Twitter) said...

Good review by Lance - it didn't do it for me either. Expectations were high - delivery erratic. How come ?

Jamie said...

I agree about the Spring Quartet but have always found Neset a more original, exciting and expressive tenorist than Toussaint.

Anonymous said...

We wanted to leave after the first two songs, but we were stuck in the middle of Row C and didn't want to inconvenience people. We actually endured an hour of it in the end - and endured is the right word. The people in the row were massively pissed off when we asked them to stand to let us out and we got some filthy, horrible looks. I don't doubt their individual musicianship but the compositions were poor, overpowering and you're right, it just didn't work.

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