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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Red Kites Jazz @ Parish Hall, St Barnabas’ Church, Rowlands Gill. 7:30pm. £10.00. BYOB (tea & coffee available), raffle. Proceeds to St Barnabas’ Church. Performance feat. Shayo (vocals).
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, April 06, 2014

GIJF Day Two - The Spring Quartet. Sage Gateshead April 5

Joe Lovano (saxes); Esperanza Spalding (bs/vcl); Leo Genovese (pno); Jack DeJohnette (dms).
(Review by Lance).
On paper this was it! The session to end all sessions - the Jazz Cup Final. Four superstars on the one stage what could possibly go wrong?
Lovano a great tenor player, DeJohnette a living legend, Genovese an outstanding pianist and Spalding possibly the worlds best known double bassist, the ingredients were all there and yet...
For me it didn't click. Solowise they all excelled from time to time - Genovese in particular had an outing that brought back memories of a gig he did with Michael Janisch at the Lit and Phil a couple of years back. Lovano is undoubtedly a tenor titan but Toussaint left a longer lasting impression with me. DeJohnnette also had a tremendous solo and Spalding proved worthy of her reputation as a class act both bass-wise and in her vocalese excursions so what went wrong?
The material didn't grab me. Sure there was variety a-plenty but somehow it didn't hold me the way it should have done. I'm in the minority here I know but one can only write from a personal point of view. Perhaps if I hadn't heard Jean Touissaint earlier, or the Spring Quartet had been playing in the more intimate confines of Hall Two or I'd backed Balthazar King each way it would have different.
With Touissaint I felt as though I was a part of what was happening, here It was as if I had my nose rubbed up against the windowpane.
Still I have to confess that several hundred others disagreed with me so what do I know?!
Lance.

5 comments :

Debra Milne said...

Agree with you Lance, as did a number of people who left the gig before the end....

Jude Murphy (on F/b) said...

I liked them.

Ken Drew (on Twitter) said...

Good review by Lance - it didn't do it for me either. Expectations were high - delivery erratic. How come ?

Jamie said...

I agree about the Spring Quartet but have always found Neset a more original, exciting and expressive tenorist than Toussaint.

Anonymous said...

We wanted to leave after the first two songs, but we were stuck in the middle of Row C and didn't want to inconvenience people. We actually endured an hour of it in the end - and endured is the right word. The people in the row were massively pissed off when we asked them to stand to let us out and we got some filthy, horrible looks. I don't doubt their individual musicianship but the compositions were poor, overpowering and you're right, it just didn't work.

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