Total Pageviews

Bebop Spoken There

Terri Lyne Carrington: "We will continue to educate with gender justice and racial justice as guiding principles." - (DownBeat August, 2020)

Teddy Wilson: "Mildred Bailey was a much better singer than Billie [Holiday]." - (DownBeat August, 2020)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,733 (and counting) posts since we started blogging just over 12 years ago. 873 of them this year alone and, so far, 10 this month (August 3).

Coming soon ...

August

?????


Thursday, April 10, 2014

Lindsay Hannon and Guests @ The Cherry Tree April 7

Lindsay Hannon (vcls); James Harrison (p); John Pope (db); Tom Chapman (drs)
(Review by JC).
A recent leg operation meant that the Gateshead Jazz Festival was out of reach but a nice compensation was that a trip to the Cherry Tree just up the road was possible. Lindsay Hannon and the band were in great form, both in seeming to be enjoying themselves and also playing very well. The first song was I Can't Give You Anything But Love and James Harrison quickly showed his intent by launching into a full-blooded solo demonstrating how his playing continues to develop at a fast pace. What is great about Lindsay Hannon and the band is that each of the songs, although mostly standards, has individual touches added to it to give it something extra. Miss Otis Regrets was taken at a slow, soulful tempo full of languid regret, while I Thought about You had a moody double bass and voice intro which the drums and piano then took into double time with Harrison seeming to go into double, double time for his solo. Blues in the Night had a saloon bar feel with touches of barrelhouse piano.
When it came to the next song here was a slight incident at our table. One of my dining companions is very knowledgeable about quite a lot of the Songbook so I often check titles and composers with him. So when Lindsay Hannon started a song with a bossa nova feel that I didn't recognise I leaned over and asked what the title was. I was a little taken aback when he replied 'For Heaven's sake!' I sat back wondering what I'd done but we managed to sort it out later. I didn't know the next song either but I kept my counsel, however I liked the way it ended with a gentle coda.
Get Out of Town featured a fine solo from John Pope and some extra suggestions from Hannon. As well as 'on your mark, get set' she added 'Get a taxi'. I think she wanted to be certain he got out of town. Next was a lovely version on What are You Doing the Rest of Your Life, followed by Secret Love, no doubt to celebrate Doris Day's 90th birthday a few days earlier. Unfortunately, we couldn't stay for the whole second half and left to the sounds of There Will Never be Another You with a fine solo from Tom Chapman on the drums.
The food was consistently excellent as usual and great value for the set menu. Word is obviously spreading amongst young jazzers about the great musical and gastronomic experience in the Cherry Tree on Monday nights as there were at least six children under ten with a couple of them jiving their way down the stairs. Could this be the new jazz audience at last!
JC

No comments :

Blog Archive