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Bebop Spoken There

John Scofield: "I like architecture that lends itself to improvisation." - (Jazzwise November, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 01: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wednesday, April 30, 2014

CD Review: Pierrick Pédron – Kubic’s Cure

Pierrick Pédron (Alto); Thomas Bramerie (Bass); Franck Agulhon (Drums). + Mederic Collignon (trumpet); Thomas De Pourquery (vocals);  Ghamri Boubaker (Algerian Flute).
(Review by Steve Horowitz).
Many jazz artists have paid homage to popular music Herbie Hancock’s River - The Joni Letters (Joni Mitchell)  and Bill Frisell ‘s All We Are Saying a John Lennon  tribute are just two that spring to mind. To this growing cannon of work a most unlikely contender can be added. Pierrick Pédron’s previous album Kubic’s Monk  was a tribute to the great Thelonious, his latest album Kubic’s Cure  is a  tribute to 80’s goth rock icons The Cure. I must confess  to being  a big fan of Robert Smith’s legendary band so it is not without prejudice that I come to this album .
This album is driven by Bramerie’s thumping  bass and Agulhon’s  pounding drums whilst Pédron plays his alto over the top of the rhythm section. Most of the The  Cure’s most famous tracks are covered  starting with The Forest and  then moving onto In Your House which has some great backing vocals from guest Pourquery. The Caterpillar follows and then my own personal favourite Cure track  In Between Days which is interpreted very differently here. The best song on the album for me  A Reflection has a truly eastern feel  augmented  by the Algerian instrumentation  of Boubaker. The Eastern theme is continued with what on face value appears to be a rather dodgy title Killing An Arab but in fact this song is referring to a passage in the  Albert Camus novel ‘The Stranger’ .  Just Like Heaven / Close to me and a great version of Lullaby bring us to the final track on the album. Sadly, it is not Love Cats or Let’s Go To Bed but given these omissions what could be more appropriate than Boys Don’t Cry.      
I would be interested on hearing what people new to The Cure would make of this album. Personally, with a few notable exceptions, it fails to capture the melancholic, hypnotic, haunting feel of the original band but nevertheless it is an interesting and enjoyable take on one of Britain’s finest.
Steve H.

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