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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16221 (and counting) posts since we started blogging 16 years ago. 103 of them this year alone and, so far, 47 this month (Feb. 18).

From This Moment On ...

February 2024

Thu 22: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 22: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Remi Coulthard-Boardman (voice).
Thu 22: Crooners @ Darlington Hippodrome. 7:30pm. £30.00., £27.00., £24.00., £18.00.
Thu 22: Merlin Roxby @ Prohibition Bar,
Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 22: Soznak @ The Schooner, South Shore Road, Gateshead. 8:00pm.
Thu 22: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Kevin Eland (trumpet); Josh Bentham (sax); Garry Hadfield (keys); Ron Smith (bass).
Thu 22: Vieux Carré Jazzmen @ Carlisle Jazz Club (Carlisle Rugby Club), Warwick Road, Carlisle CA1 1LW. 8.30pm. £10.

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00.
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Monday, April 07, 2014

GIJF: Day Three: Youth Jazz Afternoon: Stretch Trio; Jambone with Rick Taylor

Stretch Trio: Calvin Travers (guitar) Simon ? (drums), ? (tenor sax, Ewi). (Andy French? Tom Higham?)
(Review by Ann Alex/Photo from band's F/b page)).
Sorry about the names I didn’t catch, but this whole concert was an absolute joy, with free tickets as well, and I would willingly have paid.  Stretch Trio, from Yorkshire, were handpicked by ‘Jazz North Introduces’ which gives young Northern jazz artists their first high profile performance. The trio were straight in with sax leading, a pleasing ethereal sound, then riffs and chops, a fresh modern approach to jazz, sax and guitar duetting, alternating, music speeding up towards the end of the piece.  
Next came Solstice, a tune with a more spaced out feel, using some sort of looped electronics, but as appropriate.  The Ewi made an appearance, the Electronic Wind Instrument, to give it its full title. This looks like a shiny melodica and sounds as you’d expect from the title. It reflected the coloured stage lights as it was played, so looked attractive as well.  Next, something a bit more traditional, a standard start with a drum solo, and references to the song Softly As In A Morning Sunrise.  The set ended with Hectic Metric, a full throttled sound and lots of chock, chock sounds from percussion.  There were murmurs of appreciation from the audience, so I think we’ll be hearing more of this young band.
Jambone; The Time Machine: led by Rick Taylor (trombone)
We were prepared for the high standards that we’ve come to expect from Jambone, Sage Gateshead’s youth jazz ensemble, but I for one wasn’t prepared for the hilarious presentation methods of Rick Taylor, a local jazz musician who has been away from the area for some time.  The Time Machine is the result of a long workshop that Rick did with the band, which is based on key jazz and swing composers and arrangers.  He explained, with down to earth honesty, that the workshop was long so they’d cut down the performance to the minimum, then proceeded to vigorously conduct  what sounded, for all the world, like a chaotic drunken version of New Orleans jazz.  Then we were straight into danceable swing, led by Rick’s wonderful trombone, encouraging the many soloists in the band, saxes, trumpet, drums.  The piece was in sections to illustrate trends, such as West Coast Style with a skilled baritone sax solo, then a lively mid 50’s tune counterbalanced by smooth tones.  The third movement illustrated Duke Ellington, with a very deliberately piercing muted trumpet, which Rick assured us was authentic for the time.  Stan Kenton entered the scene, then more West Coast with a chance for guitar and piano to solo.  The final piece (sorry can’t remember the influence) reminded me of the soundtrack to many a 1950’s cowboy film. I imagine the band must have had good fun during the workshop, with much encouragement to give of their best, which they did in this performance.
Ann Alex

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