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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 07, 2014

GIJF – Day Two Late Night Club @ the Jazz Café

(Review by Russell/Photos by Mike Tilley)
The Gateshead International Jazz Festival is in danger of becoming a round-the-clock, twenty four hour event! The Saturday evening/Sunday morning jam session at the Jazz Café went on into the early hours. Downstairs the Slowlight Quartet entertained the early arrivals (11:00 pm) and the newly refurbished upstairs room opened to the public for the first time at midnight with the committed and the curious out in force. The festival’s big hitters were absent (did anyone really expect Esperanza Spalding to show up?) but some of Tyneside’s finest were present, keen to have a blow. 
The house rhythm section for the occasion – Alan Law (piano), John Pope (double bass, electric bass, suit and tie) and drummer Tom Chapman – invited a succession of musicians to join them on the stand and a most encouraging factor was the age profile, most in their twenties and thirties.
A list, in no particular order, of those on the session: Guitarist Simon Stephenson (first to throw his hat into the ring), tenors Matt Forster, Paul Gowland and Jamie Toms, Liam Gaughan (bass), Strictly Smokin’ MD Michael Lamb, Newcastle University final year music students Jamie Stockbridge (alto) and Adam Stapleford (drums), pianist James Harrison and Caff regular Lindsay Hannon. Festival organisers put in an appearance (at the bar) and couldn’t fail to be impressed with Mike Tilley’s efforts to get the venue ready on time (a week or so earlier the place resembled a building site).
The festival’s late night club has moved around in recent years, the Jazz Café could well be its long term home. A jam session isn’t a jam session without Monk. Well You Needn’t heard the horns, chorus upon chorus, rhythm section cookin’. Trumpeter Michael Lamb all but blew the roof off, jam session cheers, cool nods of approval, smiles, laughter, more beer. Lindsay Hannon, hot foot from Sage Gateshead, got up to sing Basin Street Blues. Introduced as the ‘incomparable Lindsay Hannon’, the boys on the stand were having none of that insisting she was the ‘incompetent LH’ then the ‘incomprehensible LH’. We’ll stick with the ‘incomparable’.
Lamb’s late night muted trumpet pitched just right, Alan Law played it just right (as always), as did JP (the Man in the Suit) and up stepped Paul Gowland to have his say. The Chicken went round and round the Jazz Café farmyard led by the stupendous piano playing of James Harrison. Liam Gaughan’s bass lines did Jaco pround and the horns earned their farmyard corn. The house lights went up, whatever time it was (around stupid o’clock) it was too early. What a night!  Photos.            
Russell.          

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance