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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

Tuesday, April 08, 2014

GIJF Day Three: The Waal; Hannabiell & Midnight Blue

The Waal: Ian Stephenson (guitar, melodeon); Andy May (keyboard, Uilean pipes); Sophie Ball (Fiddle); Kyran Matthews (saxes); Martin ? (drums).
(Review by Ann Alex).
The band member I spoke to wasn’t sure of the drummer’s surname, so I’ll excuse myself not knowing, such is the world of folkies, it’s the music that matters, as in jazz.  This was hugely enjoyed by the audience and myself, but I wouldn’t know whether it was jazz or folk, so it was an effective lesson in deciding whether labels mean anything. 
Some numbers came out (to me at least) as folk, such as the reels, composed by Stephenson, with Uilean (Irish) pipes, good drumming, complimented by soprano sax, which turned jazzy only at the end of the piece.  In others, the jazzy sax solos were well integrated into the piece, such as the opening number, with its folky riff overlaid by sax.  Most of the music was original, based on the idea of Hadrian’s Wall, the ‘Waal’ of the title;  the first item was called Knock It Down.
The band continued with such numbers as May’s London In July and The Road To Coburns. A Scandanavian based tune had the guitar leading, musical trembles from the rest of the band and a sensuous-sounding sax. May’s tune 541 included a haunting soprano sax, and the set was rounded off with a delightful French tune in 7/8 time.
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HannaBiell & Midnight Blue
Hannabiell Sanders (bass trombone, mbira, percussion, voice); Yilis Del Carmen Suriel (percussion, mbira); Katy Trigger (bass); Mark Barfoot (African percussion); Matthew Ross (drum, congas); Mick Wright (guitar); Paul Ruddick (sax, flute, voice)
The musicians enter one by one and play bits and pieces casually, which builds the tension. The odd drum beat here and there, a few shouts.  At the right moment the music breaks out, led by the extravert Hannabiell, and you just have to go with her flow, it’s irresistible.  The band’s music is described as Afro-Caribbean and Latin percussion, jazz, Afro-beat, funk and reggae, all blended together, and the mix of instruments listed above gives a big clue.  And more than all this is the forceful personality of Hannbiell with her ‘child’ Tyler the bass trombone, as she urges us to ‘Free yourself to my reason.’
 Much singing of insistent riffs and clapping, a few of the audience are dancing at the side, and it may have been a good idea for the front half of the hall to be cleared of chairs.  Out come the mbiras, which look like large round frying pans.  These are held on the knees and there are keys inside which produce a lovely round type of tone, very Caribbean.  The NRFH has now turned into a nightclub with light moving round the walls. 
Hannabiell sings a Caribbean song which is dedicated to community activism, sax and drums cut across the mbiras, the whole band plays, then Katy has a bass solo, followed by solos on flute, then guitar, fair shares demonstrates the community spirit.  Hannabiell actually dances with Tyler, then comes a chant and a train rhythm and a final song.
The audience naturally demand an encore, and Hannabiell comes off the stage to the front row, dances with one or two people (I was one), then the whole band comes off stage and leads us all out, downstairs, to play rhythms on the concourse.  A fitting end to the festival!
Ann Alex

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