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Farewell Blues

R.I.P. HRH Queen Elizabeth ll (1926 - Sept. 8, 2022).
R.I.P. Trevor Tomkins (1941 - Sept. 9, 2022).
R.I.P. Gordon McGregor (Sept. 11, 2022).
R.I.P. Ramsey Lewis (1935 - Sept. 12, 2022).
R.I.P. Pharoah Sanders (Oct. 13, 1940 - Sept. 24, 2022).
R.I.P. Sue Mingus (April 2, 1930 - Sept. 24, 2022).

Bebop Spoken There

Joe Daley: "We [Daley & Sam Rivers] did an entire tour, and nothing was discussed other than what time was dinner" - (JazzTimes Sept. 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14623 (and counting) posts since we started blogging 14 years ago. 901 of them this year alone and, so far, 101 this month (Sept. 30).

From This Moment On ...

October

Thu 06: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 06: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:30-9:00pm.
Thu 06: Thursday Night Prayer Meeting @ The Globe, Newcastle. 8:00pm. Free admission (donations). POSTPONED!
Thu 06: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 06: Brass Funkeys + Baghdaddies @ The Cluny, Newcastle. 8:00pm.
Thu 06: Mo Scott Band @ The Schooner, South Shore Road, Gateshead. 8:00pm.
Thu 06: Lindsay Hannon Trio @ Harbour View, Roker, Sunderland. 8:00pm. 'Tom Waits for No Man'. A Harbour View Speakeasy event.
Thu 06: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Garry Hadfield (keys) Bill Watson (trumpet) Josh Bentham (sax) Mark Hawkins (drums) Adrian Beadnell (bass)

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 07: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 07: Hannabiell & the Midnight Blue Collective + Knats @ Dance City, Newcastle. 7:00pm. £15.00. (£12.50. student).
Fri 07: Dean Stockdale Quartet @ Saltburn Community Hall. 7:30pm. 'Celebrating Oscar'.
Fri 07: TBA @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.
Fri 07: Anth Purdy @ Waterford Arms, Seaton Sluice. 8:00pm.
Fri 07: Rob Heron & the Tea Pad Orchestra @ Forum Music Centre, Darlington. 8:30pm.

Sat 8 Oct, Vieux Carré Jazzmen @ The Buck Inn, Thornton Watlass, Ripon HG4 4AH. 12.20pm. NOTE SATURDAY GIG AS OPPOSED TO REGULAR SUNDAY GIG. COACH FROM WHITLEY BAY NOW SOLD OUT!
Sat 08: Paul Skerritt w Danny Miller Big Band @ Westovian Theatre, South Shields. 7:30pm.
Sat 08: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.
Sat 08: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Maureen Hall's monthly residency one week later than usual.

Sun 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 09: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 09: Chip Wickham @ The Cluny, Newcastle.
Sun 09: Blue Jazz Quartet w Rivkala @ The Globe, Newcastle. 8:00pm.

Mon 10: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 10: Central Bar Quintet plays Blue Train @ Central Bar, Gateshead. 7:30pm. Concert performance + jam session. £5.00 (free admission to sitters-in).

Tue 11: Dean Stockdale Trio @ Forum Music Centre, Darlington. 7:30pm.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 12: 4B @ The Exchange, North Shields. 7:00pm.
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Tuesday, April 08, 2014

GIJF Day Three: The Waal; Hannabiell & Midnight Blue

The Waal: Ian Stephenson (guitar, melodeon); Andy May (keyboard, Uilean pipes); Sophie Ball (Fiddle); Kyran Matthews (saxes); Martin ? (drums).
(Review by Ann Alex).
The band member I spoke to wasn’t sure of the drummer’s surname, so I’ll excuse myself not knowing, such is the world of folkies, it’s the music that matters, as in jazz.  This was hugely enjoyed by the audience and myself, but I wouldn’t know whether it was jazz or folk, so it was an effective lesson in deciding whether labels mean anything. 
Some numbers came out (to me at least) as folk, such as the reels, composed by Stephenson, with Uilean (Irish) pipes, good drumming, complimented by soprano sax, which turned jazzy only at the end of the piece.  In others, the jazzy sax solos were well integrated into the piece, such as the opening number, with its folky riff overlaid by sax.  Most of the music was original, based on the idea of Hadrian’s Wall, the ‘Waal’ of the title;  the first item was called Knock It Down.
The band continued with such numbers as May’s London In July and The Road To Coburns. A Scandanavian based tune had the guitar leading, musical trembles from the rest of the band and a sensuous-sounding sax. May’s tune 541 included a haunting soprano sax, and the set was rounded off with a delightful French tune in 7/8 time.
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HannaBiell & Midnight Blue
Hannabiell Sanders (bass trombone, mbira, percussion, voice); Yilis Del Carmen Suriel (percussion, mbira); Katy Trigger (bass); Mark Barfoot (African percussion); Matthew Ross (drum, congas); Mick Wright (guitar); Paul Ruddick (sax, flute, voice)
The musicians enter one by one and play bits and pieces casually, which builds the tension. The odd drum beat here and there, a few shouts.  At the right moment the music breaks out, led by the extravert Hannabiell, and you just have to go with her flow, it’s irresistible.  The band’s music is described as Afro-Caribbean and Latin percussion, jazz, Afro-beat, funk and reggae, all blended together, and the mix of instruments listed above gives a big clue.  And more than all this is the forceful personality of Hannbiell with her ‘child’ Tyler the bass trombone, as she urges us to ‘Free yourself to my reason.’
 Much singing of insistent riffs and clapping, a few of the audience are dancing at the side, and it may have been a good idea for the front half of the hall to be cleared of chairs.  Out come the mbiras, which look like large round frying pans.  These are held on the knees and there are keys inside which produce a lovely round type of tone, very Caribbean.  The NRFH has now turned into a nightclub with light moving round the walls. 
Hannabiell sings a Caribbean song which is dedicated to community activism, sax and drums cut across the mbiras, the whole band plays, then Katy has a bass solo, followed by solos on flute, then guitar, fair shares demonstrates the community spirit.  Hannabiell actually dances with Tyler, then comes a chant and a train rhythm and a final song.
The audience naturally demand an encore, and Hannabiell comes off the stage to the front row, dances with one or two people (I was one), then the whole band comes off stage and leads us all out, downstairs, to play rhythms on the concourse.  A fitting end to the festival!
Ann Alex

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