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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Friday July 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

John Settle’s Vibe-ology - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

New Orleans Swamp Donkeys - Ernest, Boyd Street, Newcastle NE1 2AP. Tel: 0191 260 5216. 5:00pm. Free.

Blues/Country/Folk

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. Struggle Buggy 2:00-2:45pm., Shipcote & Friends 3:00-3:45pm. Free. Jumpin’ Hot Club stage.

Evening.

Riviera Quartet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:00pm. (7:30pm doors). £8.00.

New Orleans Swamp Donkeys - Cobalt Studios, Boyd St., Newcastle NE2 1AP. Tel: 0191 232 3553. 8:00pm. £5.00. (£4.00. adv). Top class band from New Orleans.

Baghdaddies - Cumberland Arms, James Place Street, Newcastle NE6 1LD. Tel: 0191 265 6151. 8:30-9:30pm.

Global BRASS @ Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £15.00. (£12.00. concs.). Joint concert featuring two bands 560 miles apart - NASUWT Riverside Band (Chester le Street) & Concord Brass Band (Copenhagen). A Durham Brass Festival event.

Haftor Medbøe & Will of the People Quartet: Global Brass Jam - Live - Gala Theatre, Millennium Place, Durham DH1 1WA. 10:30pm. £10.00. (£8.00. concs.). Pan-European jam session. Will of the People Quartet line-up: Haftør Medboe (saxophones); Pete Furniss (clarinets); Jacob Karlzon (piano); Tom Bancroft (drums). A Durham Brass Festival event.

Blues/Soul/Funk/Country

Sold out!

k.d.lang - Summertyne Americana Festival, Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 7:30pm.

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The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 08, 2014

GIJF Day Three: Fragments Of Splinter With Wilson & Williams and Roby Glod Trio

Mark Williams (guitar); Graeme Wilson (tenor sax).
(Review by Ann Alex/Photos courtesy of Ken Drew.)
This concert was a collaboration between Jazz North East and the regular Splinter sessions which take place at Newcastle’s Bridge Hotel. Graeme Wilson explained that the set was meant to ‘use up’ tunes they’d both had ‘hanging around’, a laid back description of a fine set of playing.  If this is their spare tunes, the regular tunes must be remarkable!
A mellow bell-like guitar and weaving tenor sax began the set, followed by the sax leading a more angular tune, the instruments playing off each other by turns.  Wilson’s tunes were entitled Creeping Thyme and All The People which were followed by Williams’s  Almost and Why Not?.  Williams is master of his guitar, it growled and rumbled, then became jaggedly percussive and whined. It was as if the guitar and sax were having a row, yet the guitar can be mellow and tender when told to be so. Wilson’s Back To Square One was a strong sax tune, song words could be written to it.  The music continued with riffs and tunes set against riffs; call and response, the instruments sometimes chasing each other, until the final big sound of the last tune, yet ending with a simple fade out of sound.  Such effective stuff!
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The Roby Glod Trio: Roby Glod (alto/soprano saxes); Andy Champion (double bass);
 Mark Sanders (drums)
Roby Glod had been brought over from Luxembourg especially for this gig by Jazz North East, so this was the first time that the drummer and bassist had worked with him.  I was glad that I’d learned something of the ideas behind free form jazz at the Pink Lane Coop workshop on the Saturday so I knew more about what was going on.  The set was totally improvised, the musicians start from scratch, and engage in a musical conversation, team working with each other, but also sometimes taking the piece in another direction when the time seems right, and ending the piece when appropriate. This means also that the sound and lighting technicians become part of the set as they have to react to the music onstage. Once the audience knows the ethos, we can sit back and accept what happens. And watch carefully too, because this set proved to be highly visual, as the musicians played sometimes unconventionally.
It began with a breathy sax, sparse drums and good bass, then built to a fast climax with wild bashes on the drums, a swop from alto to soprano sax, going down to something slow and eerie, with devilish red stage lights and the drummer stroking the sides of the cymbals with the sticks, then scraping drums, and a tune played on the bass strings with a drumstick.  Then something akin to standard jazz, then quiet and a natural ending to the first piece.
The second piece had sparse soprano sax and bass chords, bell sounds from the drums, then alto sax, a much shorter piece. The lighting technicians had the last word, as they put the musicians into silhouette to end the set, which I found both effective and amusing.
It was good to be part of this, one of the many newer directions that jazz is taking.
Ann Alex     

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance