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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 29: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.

Saturday, April 26, 2014

“TIMEO DANAOS ET DONA FERENTES”? Vasilis Xenopoulos - The Wind Machine @ St. Cuthbert's Centre, Crook April 25

Vasilis Xenopoulos (ten); Martin Shaw  (tpt/flg); Paul Edis (pno); Andy Champion (bs); Matt Home (dms). 
(Review and photos by Jerry).
If Virgil had been at Crook last night, he’d have hated the rat-grey, mizzly weather but he’d never have penned that line about fearing the Greeks even when bearing gifts! Aided by two “local heroes” (his words, not mine) and by two top-class London-based colleagues, Vasilis brought his considerable gifts (and chirpy, Mediterranean charm) and took Crook by storm, not by stealth.
As at the Bridge, last night, they stormed through Four Brothers and Splanky on which I fully understood Lance’s comment about the BIG sound generated by these five splendid musicians. Altogether more gentle on the senses, Tin Tin Deo brought mesmerising Latin rhythms and a tasty flugelhorn solo (accompanied by tempting smells from the kitchen of pizza cooking for the interval!).
“Ballad Medleys”, one in each half, demonstrated that these guys could do subtle and seductive as well as storming. We had Bewitched, My One and Only Love (first set) then Prelude to a Kiss and Sophisticated Lady (second set). Bewitched we were! Subtlety and great harmonies too on Dizzy Gillespie’s ground-breaking bebop / Latin mix, Con Alma, (correctly translated by Vas as “With Soul”).
“That’s his best” was my comment after each player’s solo – until the next one! They just seemed to get better and better as the evening progressed and there was so much dazzling technique for this “jazznoramus” to watch, listen to and wonder at. On Our Delight, for example Shaw’s muted trumpet, almost swallowing the microphone, produced amazing low notes which had me looking to see if some other instrument had arrived onstage unannounced! He and Vas closed Brookmeyer’s Fun Club with a quiet (improvised?) duet – a kind of horn-duel – the like of which I have not previously heard. Magical! It was great, too, to see drumming up close – so often the drummer is hidden away at the back – and to register the variety of techniques deployed by Matt Home from thunderous solos to the softest of brushing. As for the “local heroes”, if pressed to nominate a “best” solo, I’d plump for Paul’s on Short Story and Andy’s on Fun Club.
I’ve not mentioned, so far, The Groove Merchant which closed the first set, Corner Pocket, which punched holes in the second and the powerful (“frenetic” in a good way) Wind Machine which rounded off the evening. So there you have it: a fairly brief review for an epic gig…
Thanks, as ever, to all at Crook for the candles, nibbles, pizzas and genuine warmth which makes this a great place to be, even on a foul night.
Jerry

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