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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday October 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Dave O'Higgins Masterclass - Hurworth Grange, Hurworth Road, Hurworth, Darlington DL2 2BN. 12 noon - 2:00pm. £20.00. A Jazz Blowers' event, places limited. Details: www.jazzblowers.co.uk

Tees Valley Jazzmen - Central Methodist Church, 21 Cockton Hill Rd., Bishop Auckland DL14 6EN. 2:00pm. £4.00. A memorial concert in memory of Gavin Belton.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 5:45pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

?????

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 29, 2014

Darlington Jazz Festival. Sunday Afternoon Interlude. April 27

(Review by Russell (AKA Tolstoy).
A key component of the Darlington Jazz Festival is the community involvement of musicians, tutors, volunteer workers and audience (in some cases they are all of these things). This year Matt Roberts (trumpet) acted as the festival’s Jazz Educator in Residence. A local lad made good, it is wonderful to see Roberts return and as they say, ‘put something back’. 
A natural communicator, engaging with all, he conducted a workshop earlier in the weekend and on this Sunday afternoon assembled his students on the step of a station footbridge (an exhibit in the Head of Steam Museum) to perform a few train-related numbers. At the top of the stairs, partly hidden from view, the rhythm section (Tom Curry, guitar, a workshop student elevated to the role of tutor!, Amy Baker (bass) and drummer Stephen Fletcher) provided the security blanket. The student players on the steps below framed by vintage station signs rescued from a skip (This platform for Seaton Carew). The frontline tutors - Roberts, Alex Baker (tenor), Johnny Dunn (flugel) and Chris Hibbard (trombone) - listened to and played with the ensemble on Blue Train, My Little Suede Shoes, Night Train and Take the A Train. Students ranged in age from, perhaps, ten year olds to a 86 years old piano player exercising his arm for the first time as a trombonist! Big names make festivals, they are the attraction, but make no mistake, this student assembly (an essential element of the festival) made the day. 
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance