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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, March 23, 2013

Jazz and Hoochie no longer Coochie.

It's looking as though the Thursday night jazz at Hoochie Coochie is drawing to a close. Owner Warren Thompson has announced, with much regret, that the failure of the "Jazz Community" to support these free admission sessions give him no alternative but to throw in the jazz towel at the end of May.
This is quite sad and difficult to explain. Hoochie has booked and paid local bands since it opened a couple of years back. No Arts Council grants or local authority money as back up - just the owner's belief that North East jazz fans would support the music and the musicians in an attractive city centre venue and, hopefully, draw more people to the music along the way.
This didn't happen and I think those so-called jazz fans who failed to show their support might wonder why their own gigs aren't supported. Surely we should be doing our best to keep jazz alive? This can only be done by showing our faces and planting our bums on seats with a drink or two in front of us - particularly when entry is free! So if it's going let's try and make it go out with a bang - show your faces - let the world and Warren know there is a Jazz Community in Newcastle.
Paradoxically, on my recent trip to London both Ronnie's and Pizza were sold out and the punters were shelling out £25-£45 on top of their drinks and eats. 
It's a funny old world...
Lance.

3 comments :

Anonymous said...

Maybe it would be a good idea on your blog if you asked in some form of poll/whatever why people in the North East have not attended Hoochie Coochie, at least not to the level that the owner expected or required. This would probably help other promoters get an idea of how to maintain, increase and develop the remaining jazz venues. There must be hundreds of "jazz fans" in the North East that read this blog but don't attend venues, they could give you the answer to your questions. Perhaps also, the owner of Hoochie Coochie has not had the financial returns he gets for example, from his "black music" funk/soul nights, someone should have explained that jazz is a minority music and will never succeed on a commercial basis, it never has and never will. By the way, we don't have venues of the pedigree of Ronnie Scott's (which has also struggled over many years, and still is, financially, according to a recent documentary). And the population of London is 10 million, Newcastle around 170,000 with a much lower standard of living, higher unemployment and much less spare cash per capita. If venues are not succeeding in what they do, they are generally either doing it wrong, or it doesn't appeal to enough people in the immediate area. My own opinion is that jazz is mainly a musician's music, and that has been borne out by recent "jam sessions" where attendances have apparently trebled in some cases - and that is probably because the audience contains a significant number of musicians being given the opportunity to play in public, an increasingly rare occurrence these days. So, as I suggested, it would be a good idea to ask people why they didn't go to Hoochie Coochie, or the other venues en masse. Then if the promoters tuned in to the answers, we might start to get somewhere. Alternatively, they can accept that jazz audiences are never going to increase, and then at least the venue owners can contribute their facilities without financial expectation to musicians who like to get out and play.

Lance said...

A very good comment and full of pertinent points although, I must confess that I prefer on such vital issues to be replying to a name rather than an "Anon".
I agree that jazz is a minority music as so many musics are apart from say pop/rock etc. (don't ask me to define etc.!)which is why I think people should support local gigs. Most are free - even higher profile gigs are rarely more than a tenner (apart from The Sage where price doesn't come into it!)
Jam sessions are great although the players make little out of it. Which brings me to mention that, with few exceptions, musicians tend not to support each other's gigs. In my youth - I think Good Queen Bess was on the throne - we hung out to listen to other players and pick up on what they were doing. The greatest academy in the world. Now the kids today have been to music college and graduated and know it all - until they do a gig at say, their local CIU club - back to the drawing board!
But yes, I agree with you. Will you tell us why you don't go to live jazz venues whether it be Hoochie, The Bridge, or any jazz venue. Assuming, by reading this blog, you are a jazz listener. Pref. not Anonymous!

Hoochie Coochie said...

Understand the comment about lower standard of living that's why we made gigs free. It's not news to me that Jazz is a minority music. I noticed this when attending the Jaz Cafe every Friday for years with half a dozen other punters. We paid musicians every week & some weeks we were taking less money @ the bar than paying them. We then have all the usual costs like staff, lighting, heating rent, rate etc. We were not loking to make money from Jazz, just have a good night out & we did have some, as many musicians will testify. Unfortunately though you can't lose money ad infinitum, out of your own pocket, not the taxpayers.

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