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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, March 02, 2013

CD Review: Karen Mok: Somewhere I Belong


Karen Mok (vocals and guzheng); names of other musicians not given, instruments are: keys, guitar, sax, trombone, violin, bass, drums. (Review by Ann Alex)
This    This could well turn out to be my CD of the year.  Karen Mok, from Hong Kong, is said to be ‘one of the most successful Asian recording artists of all time’ and this is her début English-language album. The lady has already had 15 successful albums and has starred in over 40 films. 
Somewhere I Belong comprises; 7 jazz standards, 3 rock tracks 
jazzily, and 2 Chinese songs, of which 1 is self- penned.  The general feel of the album is intimate and seductive.  Ms Mok sings sweetly, enticingly and dramatically by turns, and on some tracks she plays a traditional Chinese guzheng, a large stringed instrument which has many tonal colours, sometimes sounding like an exotic sort of harpsichord.  The rest of the band are well-competent musicians, whom I guess are those worker bees of the musical world, session musicians, but I hope they’ll forgive me if they are all well known instrumentalists.  They contribute well, giving us effective short solos throughout the album.
Tracks which stood out include Stormy Weather, with brassy chords and guzheng indicating the storm, the sax representing sadness, and raindrops from the keys – such a clever arrangement.  Then there is the sheer fun of A Fine Romance, a fine Jerome Kern number, with such amusing words and period details of American daily life by lyricist Dorothy Fields. My absolute favourite was Moon Over Bourbon Street, which is a highly dramatic narrative, sung with an actor’s skill, with the sax, bass and keys creating a powerful moonlit atmosphere.  Ms Mok’s version of the rock song Wicked Game, shows off her wide vocal range.
I strongly recommend that BSH readers get on to YouTube immediately to watch the video of Karen Mok talking about the making of this album, with samples of the music.
The CD is released in the UK on March 11 on Decca Records.
Ann Alex 

1 comment :

Lance said...

Love your reference to session musicians as "The worker bees of the musical world" - priceless Ann!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance