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Farewell Blues

R.I.P. HRH Queen Elizabeth ll (1926 - Sept. 8, 2022).
R.I.P. Trevor Tomkins (1941 - Sept. 9, 2022).
R.I.P. Gordon McGregor (Sept. 11, 2022).
R.I.P. Ramsey Lewis (1935 - Sept. 12, 2022).
R.I.P. Pharoah Sanders (Oct. 13, 1940 - Sept. 24, 2022).

Bebop Spoken There

Larry Klein: "- in a certain way - Leonard [Cohen] is the greatest songwriter ever." - (Jazzwise October 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14581 (and counting) posts since we started blogging 14 years ago. 859 of them this year alone and, so far, 59 this month (Sept. 21).

From This Moment On ...

September

Sun 25: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 25: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 25: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm. CANCELLED!
Sun 25: Skylla + Pete Wareham-Ruth Goller-Will Glaser @ Bobik’s, Punch Bowl, Jesmond, Newcastle. 8:00pm. A Newcastle Festival of Jazz & Improvised Music event.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 26: Lewis Watson Quartet @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Tue 27: Beth Clarke @ British Legion Club, West Jesmond, Newcastle. 1:00-4:00pm. Free.
Tue 27: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 27: Black is the Color of My Voice @ Alnwick Playhouse. 7:30pm. One woman stage play (the life & times of Nina Simone).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 28: Battle of the Bands @ NE Volume Music Bar, Yarm Lane, Stockton. Doors 6:00pm. Tickets: £5.00. adv., £6.00. on the door. Participants inc. Milne Glendinning Band.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 28: 4B @ The Exchange, North Shields. 7:00pm.
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 28: Black is the Color of My Voice @ Alnwick Playhouse. 7:30pm. One woman stage play (the life & times of Nina Simone).
Wed 28: Laura Jurd @ Sage Gateshead. 8:00pm.

Thu 29: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 29: Ushaw Ensemble @ King’s Hall, Newcastle University. 1:10pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 29: Czajka & Puchaz + Mark Solborg + Anthropology @ Lit & Phil, Newcastle. 7:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Thu 29: ‘58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 29: La Sonora Boreal’s Latin Jam Session @ The Globe, Newcastle (7:45pm). Free (donations). Latin jazz performance & jam session.
Thu 29: Peter Morgan Trio @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 30: Adam Johnson @ Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 30: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 30: Pete Churchill & Noel Dennis: Exploring the Jazz Metaphor in Leadership & Management @ Lit & Phil, Newcastle. 2:30-4:00pm. Workshop.Tickets: £3.30 (inc. bf). A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: FILM: Bird (Dir. Clint Eastwood) + Swing Bridge (in the bar) @ Forum Cinema, Hexham. 6:30pm.
Fri 30: Orphy Robinson + Maniscalco-Bigoni-Solborg + Nicole Mitchell + Binker Golding-Alexander Hawkins-John Pope-Paul Hession @ Lit & Phil, Newcastle (7:00pm). A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: Ushaw Ensemble @ St Mary’s Church, Holy Island. 7:30pm.
Fri 30: Alter Ego @ Prohibition Bar, Newcastle. 8:00pm.
Fri 30: King Bee @ The Craig Charles Funk & Soul Club, Independent, Sunderland. 9:00pm. £22.50. DJs + King Bee.

Friday, March 01, 2013

Keith Jarrett - Royal Festival Hall, London - Monday 25th February 2013 (warning - this review may contain references to flash photography)

Keith Jarrett (piano)
(Review by JC.)
Some time in the early 1980s, I travelled right across London on a dark, wet night to the Royal Festival Hall on the off chance that I might pick up a ticket for that night's Keith Jarrett concert - no chance! When people have tickets for one of his solo performances they go, I thought to myself as I struggled back through London in the rain. So, while traversing the internet one night recently and happening to see he was to appear at the RFH and that tickets were to go on sale at 10am the following morning, I broke the habits of a life time and was sitting at my computer at 9.50am with the RFH web page open and the phone at the ready. I was delighted to get through on the web page at about 2 minutes past 10 but then less so when I saw that about half the seats were already gone - how does that happen? However, based on my early experience, I bought a ticket, leaving the logistics of getting to London and back to Newcastle the following morning for a meeting at 10am to a later date.
I hadn't been in the RFH for quite a while and I had forgotten what a great modernist building it is.  The curved cantilevered boxes on each side reach out into the hall like the open drawers of a bureau and the tiered auditorium looked great as it filled up with fans. There was a palpable sense of excitement in the air.
The support act was someone from the promoters Serious, who came on stage and asked for all mobile phones to be turned off and then initiated a John Cage like moment by saying 'Mr Jarrett would appreciate if there was no coughing or other noise during his performance'. Inevitably, this was followed by about 4' 33" of improvised coughing from the audience.
However, the arrival of 'Mr Jarrett' was greeted with extended applause and he turned towards the hall and bowed to the audience - twice. As he went towards the piano he muttered to himself 'I've never bowed twice before - Hmmm'. So something special was in the offing.
The first item was an intense improvisation, which was followed by a Spanish tinged piece with full Jarrett effects. I was seated on the first floor looking directly down on the piano keyboard, so got a full view of him standing up, shaking his head (and other parts) and stamping his feet as the tune developed.
He was in very chatty form, some of which was hard to hear from my vantage point, but he did ask the audience if there was any chord they would like him to play and then rambled on about the piano being bigger than usual. The gig was developing a surreal fascination.
He then launched into wonderful boogie driven piece followed by a gloriously lyrical free improvisation which left everyone gasping as the first set ended.
The second half carried on as the first had ended. Another boogie influenced piece with lots of body movement and then an avant-garde classical improv with extended vocalese. This was followed by some more beautifully lyrical piano playing, that had the hall entranced. Then a version of Summertime, which recaptured the beauty of the tune (and even you would have loved, Lance). Another piece with a contemporary classical feel led into a really swinging groove.
At the end of the set there was wild applause and true to form KJ preceded his many encores with a set piece 'rage against the machine' (or electronic device, in this case). This had been a running theme throughout the evening, but you got the sense that although it still bugs him he is resigned to it being a feature of concerts wherever he goes. More in sorrow than in anger he railed against the few people taking photos in the audience saying 'How can using a little electronic device be more important that 64 years studying an instrument?' (Yes, he did start playing when he was three years old). However, I am with him on this and can't bear the ubiquity of mobile phones in all situations.
Then, rant over, he played numerous encores, each one followed by standing ovations and much bowing.  A wonderful Miss Otis Regrets, a riproaring blues and a glorious ballad.
A unique and fabulous concert and well worth a night in the most spartan hotel I have ever stayed in. I asked for an early morning call to be told there were no phones in the rooms, not only that but there was absolutely nothing in the bedroom apart from a bed and a tiny piece of soap. According to the Daily Mail most prisons have better facilities, and this was a national chain (with the letters T and L in its name).
JC
ps - BSH jokes that Keith Jarrett might have played at the Bridge, the Cherrytree or sundry other places in the North East instead of the RFH but something even more unlikely is a note on the Keith Jarrett unofficial web site (keithjarrett.org) that he might have played at the Fox Inn in Asbourne, Co. Meath in Ireland in 1971 for a week! I was still living in Dublin at that time and we would have been camping inside the pub all week if that was true.

3 comments :

Robert Laing said...

Does he still make awful noises that are a cross between farmyard animals and excited monkeys that totally detract from his playing?

dominic said...

I wouldn't say it detracts from his playing, actually it's inspiring how involved and dedicated to the music he is. KJ's music is not for the easily-distracted, so if some errant vocalising puts you off, you might prefer some pop music.

htc said...

veryyyyyyyy gooooood hmmmmm

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