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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Friday July 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

John Settle’s Vibe-ology - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

New Orleans Swamp Donkeys - Ernest, Boyd Street, Newcastle NE1 2AP. Tel: 0191 260 5216. 5:00pm. Free.

Blues/Country/Folk

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. Struggle Buggy 2:00-2:45pm., Shipcote & Friends 3:00-3:45pm. Free. Jumpin’ Hot Club stage.

Evening.

Riviera Quartet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:00pm. (7:30pm doors). £8.00.

New Orleans Swamp Donkeys - Cobalt Studios, Boyd St., Newcastle NE2 1AP. Tel: 0191 232 3553. 8:00pm. £5.00. (£4.00. adv). Top class band from New Orleans.

Baghdaddies - Cumberland Arms, James Place Street, Newcastle NE6 1LD. Tel: 0191 265 6151. 8:30-9:30pm.

Global BRASS @ Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £15.00. (£12.00. concs.). Joint concert featuring two bands 560 miles apart - NASUWT Riverside Band (Chester le Street) & Concord Brass Band (Copenhagen). A Durham Brass Festival event.

Haftor Medbøe & Will of the People Quartet: Global Brass Jam - Live - Gala Theatre, Millennium Place, Durham DH1 1WA. 10:30pm. £10.00. (£8.00. concs.). Pan-European jam session. Will of the People Quartet line-up: Haftør Medboe (saxophones); Pete Furniss (clarinets); Jacob Karlzon (piano); Tom Bancroft (drums). A Durham Brass Festival event.

Blues/Soul/Funk/Country

Sold out!

k.d.lang - Summertyne Americana Festival, Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 7:30pm.

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The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, March 17, 2013

Martin Litton and Nick Gill: Customs House: Friday March 15, 2013


Nick Gill/Martin Litton (pianos)
(Review by Ann Alex.)
It was as if we were at a Harlem rent party or a New Orleans bordello, the tunes and anecdotes tumbled out from these two gentlemen, dressed for the occasion in smart trousers and grey waistcoat (Martin), and (Nick) in black and red striped blazer, equally stylish trousers and, for the second set, red and white shoes with that (1920’s?) curved pattern, wish I knew what those sort of shoes are called.  Two upright pianos, diagonally back to back, presumably so that the players could communicate, although both players went solo as well.  Marvellous, lively, up and at ‘em rags and stride. I was a bit frustrated – I wanted to dance! 
Jelly Roll Morton's  Big Fat Ham, a tune where the ladies of the brothel had to try to kick a ham suspended from the ceiling when dancing; Ellington’s Swampy River, a composition with a tango section in the middle and all sorts else going on; Manhattan Rag, (Hoagy Carmichael) with it’s music box effect; Fats Waller’s Handful Of Keys, played fast, which, Martin said, was meant to be a challenge to the skills of the pianist who was to follow after.
Nick chose the Roger’s piano and Martin remained at the Knight before the pianistic pugilists slugged it out on the well-known Maple Leaf Rag. A split decision but no one could decide which way!
The mood and style changed quite suddenly as they moved into some gasbook material – Gershwin’s  The Man I Love. Nick trilling away like a Budgie Blues Bird whilst Martin played Mother Hen.
Nick continued alone with a slow version of Joplin’s Gladiolus Rag.  He pointed out that we were uncertain about what speed these rags were originally played at.  There followed Porter’s Begin The Beguine, Nick’s own composition, a ‘novelty’ rag, Splinters; and then, a surprise treat, Nick singing Gershwin’s They All Laughed.  Other delights were the duo’s Honky Tonk Train Blues with its train sounds of whistle and hooter; Nick singing a sensitive Buddy Can You Spare A Dime; his self-penned song about busking - Sing a Song For Sixpence; Joplin’s Rag Time Dance, with our players stamping out the beat;  the  Rachmaninov influenced The War’s Over; Gershwin’s Swanee.  The performance was rounded off with 12th Street Rag and St Louis Blues.  I could have listened to this happy music for the rest of the evening.
The gig had been organised by the late Mike Durham, and Martin paid tribute to Mike.  I like to think that Mike was perhaps listening to all this from another part of the universe.
Ann Alex     

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance