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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, March 17, 2013

Martin Litton and Nick Gill: Customs House: Friday March 15, 2013


Nick Gill/Martin Litton (pianos)
(Review by Ann Alex.)
It was as if we were at a Harlem rent party or a New Orleans bordello, the tunes and anecdotes tumbled out from these two gentlemen, dressed for the occasion in smart trousers and grey waistcoat (Martin), and (Nick) in black and red striped blazer, equally stylish trousers and, for the second set, red and white shoes with that (1920’s?) curved pattern, wish I knew what those sort of shoes are called.  Two upright pianos, diagonally back to back, presumably so that the players could communicate, although both players went solo as well.  Marvellous, lively, up and at ‘em rags and stride. I was a bit frustrated – I wanted to dance! 
Jelly Roll Morton's  Big Fat Ham, a tune where the ladies of the brothel had to try to kick a ham suspended from the ceiling when dancing; Ellington’s Swampy River, a composition with a tango section in the middle and all sorts else going on; Manhattan Rag, (Hoagy Carmichael) with it’s music box effect; Fats Waller’s Handful Of Keys, played fast, which, Martin said, was meant to be a challenge to the skills of the pianist who was to follow after.
Nick chose the Roger’s piano and Martin remained at the Knight before the pianistic pugilists slugged it out on the well-known Maple Leaf Rag. A split decision but no one could decide which way!
The mood and style changed quite suddenly as they moved into some gasbook material – Gershwin’s  The Man I Love. Nick trilling away like a Budgie Blues Bird whilst Martin played Mother Hen.
Nick continued alone with a slow version of Joplin’s Gladiolus Rag.  He pointed out that we were uncertain about what speed these rags were originally played at.  There followed Porter’s Begin The Beguine, Nick’s own composition, a ‘novelty’ rag, Splinters; and then, a surprise treat, Nick singing Gershwin’s They All Laughed.  Other delights were the duo’s Honky Tonk Train Blues with its train sounds of whistle and hooter; Nick singing a sensitive Buddy Can You Spare A Dime; his self-penned song about busking - Sing a Song For Sixpence; Joplin’s Rag Time Dance, with our players stamping out the beat;  the  Rachmaninov influenced The War’s Over; Gershwin’s Swanee.  The performance was rounded off with 12th Street Rag and St Louis Blues.  I could have listened to this happy music for the rest of the evening.
The gig had been organised by the late Mike Durham, and Martin paid tribute to Mike.  I like to think that Mike was perhaps listening to all this from another part of the universe.
Ann Alex     

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance