Total Pageviews

Bebop Spoken There

Davina Lozier: "So many people never settle into who they really are. They just do what they want to do because they want to be Oscar Peterson or Muddy Waters or Britney Spears. But I am what I am: a chubby, 40-year-old woman who's still doing it." - (DownBeat, December 2019).

Archive

Today Tuesday November 12

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 1:15pm. Stanley Nelson's 2019 documentary film.

Evening

Jazz

Not Now Charlie - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

Blues

Sugaray Rayford - Cluny, Lime St., Newcastle NE1 2PQ. Tel 0191 230 4474. 8:00pm. £15.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 25, 2013

Compassionate Dictatorship @ The Bridge Hotel, Newcastle.. March 24, 2013

Tori Freestone (tenor saxophone), Jez Franks (guitar), Dave Manington (double bass) & James Maddren (drums)
(Review by Russell)
Another freezing ‘spring’ evening. Will the big freeze ever end? Perhaps global warming has plunged us into twenty thousand years of sub-zero temperatures. Oh, well, the Bridge Hotel’s heating (30 centigrade) did the trick and the hard-core audience turned out to hear Compassionate Dictatorship. It comes to something when just about everyone is on first name terms!
As for the band, co-leaders Tori Freestone and Jez Franks hadn’t been up to Newcastle for a while, bassist Dave Manington’s CD Hullabaloo was reviewed recently in these pages by Debra Milne and first call drummer James Maddren has been to Tyneside so often of late that Honourary Geordie status could soon be conferred upon him! The frontline pairing of Franks (guitar) and Freestone (tenor) write the material and on this occasion the new CD Entertaining Tyrants provided the bulk of the tunes across two sets. Franks’ Ratios and Bubble and Squeak (named after drummer Tim Giles’ children – no, they’re not called that) opened the programme with a first solo for bassist Dave Manington on the latter number. Freestone’s The Chophouse (the name of a pub in Manchester) was written for trumpeter Neil Yates (soon to be heard at this year’s Gateshead International Jazz Festival) and further illustrated the band’s forte - a cohesive group sound, largely devoid of up-front soloing. The first set concluded with Franks’ Anger Management, a tune inspired by a saxophonist. I wonder who it could be? Freestone’s tenor was politely angry - a case of successful anger management!
The interval raffle was re-drawn as the winning ticket holder was thought to be downstairs at the bar (hard luck Bill!) and we cracked-on with the second set. Frank’s Mushroom Effect led to Freestone’s Pottering Around (name the influential tenor player…) which featured a Maddren drum solo. A Franks’ ballad - Sit Tight - confirmed the guitarist’s command of his Gibson. Universal 4, dedicated to the virtuoso vibraphonist Jim Hart (he counts in everything in 4/4 regardless of the time signature - good for a laugh!), ended an enjoyable evening. An encore was called for and Joni Mitchell’s Both Sides Now (arr. Freestone) captured the spirit.  
Russell.             

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance