February 2025
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 02: Lewis Watson Quartet @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 02: Sax Choir @ The Globe, Newcastle. 2:00pm. Free (donations).
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Spilt Milk @ St. James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 02: Jive Aces @ The Fire Station, Sunderland. 7:00pm.
Sun 02: John Pope + Andy Champion + Ian Paterson @ The Globe, Newcastle. 8:00pm. ‘Subterranean Explorations 1’. Three (half hour) solo bass sets.
Sun 02: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.
Mon 03: Andy Watt & Dan Rogers @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance. Jazz, blues, folk etc.
Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 04: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.
Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Phillips, Paul Grainger, Bailey Rudd.
Tue 04: Dilutey Juice + Life Aquatics Band @ The Glasshouse, Gateshead. 8:00pm.
Wed 05: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 06: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free.
Thu 06: Lewis Watson Quartet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Latin jazz/top-rated dance bands.
Thu 06: Rose Room @ The Globe, Newcastle. 8:00pm.
Thu 06: Mostly Moonlight @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Helen Barber (vocals) & Alex Moon (piano).
Thu 06: Tees Hot Club @ Dorman’s Club, Middlesbrough. Guests: Richie Emmerson (tenor sax); Donna Hewitt (alto sax); Kevin Eland (trumpet); Graham Thompson (keys); Ron Smith (bass). 8:30pm. Free. A Tees Hot Club promotion. The session is now monthly, first Thursday in the month.
Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 07: James Birkett & Emma Fisk @ Old Lowlight, Clifford’s Fort, North Shields NE30 1JE. 7:00pm. £15.00. + bf. www.oldlowlight.co.uk. SOLD OUT!
Fri 07: Stuart Turner Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 7:00pm. Free. Jazz, blues, Americana etc.
Fri 07: Dean Stockdale Quartet @ Saltburn Community Hall. 7:30pm. £12.00.
Fri 07: Rose Room @ Wylam Institute. 8:00pm. £19.67.
Fri 07: John Rowland Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
3 comments :
Maybe it would be a good idea on your blog if you asked in some form of poll/whatever why people in the North East have not attended Hoochie Coochie, at least not to the level that the owner expected or required. This would probably help other promoters get an idea of how to maintain, increase and develop the remaining jazz venues. There must be hundreds of "jazz fans" in the North East that read this blog but don't attend venues, they could give you the answer to your questions. Perhaps also, the owner of Hoochie Coochie has not had the financial returns he gets for example, from his "black music" funk/soul nights, someone should have explained that jazz is a minority music and will never succeed on a commercial basis, it never has and never will. By the way, we don't have venues of the pedigree of Ronnie Scott's (which has also struggled over many years, and still is, financially, according to a recent documentary). And the population of London is 10 million, Newcastle around 170,000 with a much lower standard of living, higher unemployment and much less spare cash per capita. If venues are not succeeding in what they do, they are generally either doing it wrong, or it doesn't appeal to enough people in the immediate area. My own opinion is that jazz is mainly a musician's music, and that has been borne out by recent "jam sessions" where attendances have apparently trebled in some cases - and that is probably because the audience contains a significant number of musicians being given the opportunity to play in public, an increasingly rare occurrence these days. So, as I suggested, it would be a good idea to ask people why they didn't go to Hoochie Coochie, or the other venues en masse. Then if the promoters tuned in to the answers, we might start to get somewhere. Alternatively, they can accept that jazz audiences are never going to increase, and then at least the venue owners can contribute their facilities without financial expectation to musicians who like to get out and play.
A very good comment and full of pertinent points although, I must confess that I prefer on such vital issues to be replying to a name rather than an "Anon".
I agree that jazz is a minority music as so many musics are apart from say pop/rock etc. (don't ask me to define etc.!)which is why I think people should support local gigs. Most are free - even higher profile gigs are rarely more than a tenner (apart from The Sage where price doesn't come into it!)
Jam sessions are great although the players make little out of it. Which brings me to mention that, with few exceptions, musicians tend not to support each other's gigs. In my youth - I think Good Queen Bess was on the throne - we hung out to listen to other players and pick up on what they were doing. The greatest academy in the world. Now the kids today have been to music college and graduated and know it all - until they do a gig at say, their local CIU club - back to the drawing board!
But yes, I agree with you. Will you tell us why you don't go to live jazz venues whether it be Hoochie, The Bridge, or any jazz venue. Assuming, by reading this blog, you are a jazz listener. Pref. not Anonymous!
Understand the comment about lower standard of living that's why we made gigs free. It's not news to me that Jazz is a minority music. I noticed this when attending the Jaz Cafe every Friday for years with half a dozen other punters. We paid musicians every week & some weeks we were taking less money @ the bar than paying them. We then have all the usual costs like staff, lighting, heating rent, rate etc. We were not loking to make money from Jazz, just have a good night out & we did have some, as many musicians will testify. Unfortunately though you can't lose money ad infinitum, out of your own pocket, not the taxpayers.
Post a Comment