Total Pageviews

Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.

Sat 28: Revolutionaires @ Brandling Villa, South Gosforth, Newcastle. 9:00pm. Rhythm & blues band.

Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Revolutionaires @ Greens, Low Row, Sunderland. 6:00pm. Rhythm & blues band with a horn section (inc. Pete Tanton).
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Saturday, March 09, 2013

Tommy Emmanuel & Martin Taylor @ The Sage - Take 2.

(Review by Ron Ainsborough)
The definition of 'jazz or not jazz', discussion raises it head once again after going to this concert, but as many a person has said before me 'there are only two kinds of music, good or bad!' Well this concert was 'good music' without a doubt.
The concert featured Tommy Emmanuel and Martin Taylor playing solo and as a duo for two sets about an hour each, playing to a near sell out audience at The Sage.
I have seen and heard Martin Taylor before so I already knew he is a world class acoustic guitar musician, but with just being made aware recently of Tommy Emmanuel and never ever having heard him play live (I did check him out on YouTube though!) , we awaited to see him with great anticipation.
Boy! we were not disappointed! The Aussie fretman was absolutely sensational, playing every genre of music from jazz to popular music, including a medley of Beatles songs, jazz standards, calypso music and 'classical gas' together with his own, and Martin Taylor's, compositions.
The technique and musicianship required to simultaneously create the multi sounds encompassing 'rhythm, harmony and melody', seems unbelievable yet the beautiful sounds he is making are from a SOLO artist, without the use of  pedals etc, and it's all happening on the stage in front of you.The dynamics of his music are phenomenal and I know it's a cliché but it has to be said,'you would think their were several guitarists playing with him' to obtain the complex beautiful sounds that he creates.
From the very beginning of the concert to the end I was on the edge of my seat wondering what incredible guitar sounds are you going to hear next, I have never heard or seen guitar musicianship (from both musicians I might add) of that calibre before. A wonderful concert!!!!
Having said all that, I must not sidetrack Martin Taylor in any shape or form. Most, if not all, of what I have said applies to Martin Taylor as well, because he was every bit an integral part of the concert, who made an enormous contribution to the evening.
The duo renditions were breathtaking and exquisite. The sounds Martin Taylor made whilst playing his 'calypso' composition were created by inserting a piece of cardboard in to the sound box of the guitar giving a percussive sound,and also during the same number Tommy Emmanuel demonstrated that by tapping his guitar with his hands in a 'conga drum style' (I believe the name for a congo drummer is a 'conguero'),the 'conguero Tommy Emmanuel' played a most wonderful and exciting, strictly percussive solo which had to be seen to be believed.
Ron Ainsborough

No comments :

Blog Archive