Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18219 (and counting) posts since we started blogging 17 years ago. 73 of them this year alone and, so far this month (Jan. 24), 73

From This Moment On ...

JANUARY 2026

Thu 29: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 35s only. Rescheduled from December 4th.
Thu 29: Oh No Noh + Dan Coulthurst Quintet @ Cobalt Studios, Newcastle. 7:00pm (doors). £16.45., £13.28., £12.22., £9.04. Coulthurst (trumpet); Joel Steadman (bass clarinet, flute); Nico Widdowson (piano); Fergus Quill (double bass); Theo Goss (drums).

Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 30: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 30: Pete Roth Trio @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Feat. Bill Bruford.
Fri 30: Jive Aces @ Alnwick Playhouse. 7:30pm.
Fri 30: Dan Coulthurst Quintet @ Central Bar, Gateshead. 7:30pm (7:00pm doors). £10.00 + £1.00. bf (www.wegottickets.com). Coulthurst (trumpet); Joel Steadman (bass clarinet, flute); Nico Widdowson (piano); Fergus Quill (double bass); Theo Goss (drums).

Sat 31: Darling Dollies @ St George’s Church, Jesmond, Newcastle. 3:00pm. £10.00. Vocal trio.
Sat 31: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.

FEBRUARY 2026

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet + guest Bill Watson (trumpet, flugelhorn).
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Annie & the Caldwells @ The Cluny, Newcastle. 7:30pm (doors). £25.00. adv. Gospel/soul.
Sun 01: Jive Aces @ Alnwick Playhouse. 7:30pm.
Sun 01: Olly Styles Experience + Jenny Baker @ the Globe, Newcastle. 8:00pm.

Mon 02: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: TBC.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, March 09, 2013

Tommy Emmanuel & Martin Taylor @ The Sage - Take 2.

(Review by Ron Ainsborough)
The definition of 'jazz or not jazz', discussion raises it head once again after going to this concert, but as many a person has said before me 'there are only two kinds of music, good or bad!' Well this concert was 'good music' without a doubt.
The concert featured Tommy Emmanuel and Martin Taylor playing solo and as a duo for two sets about an hour each, playing to a near sell out audience at The Sage.
I have seen and heard Martin Taylor before so I already knew he is a world class acoustic guitar musician, but with just being made aware recently of Tommy Emmanuel and never ever having heard him play live (I did check him out on YouTube though!) , we awaited to see him with great anticipation.
Boy! we were not disappointed! The Aussie fretman was absolutely sensational, playing every genre of music from jazz to popular music, including a medley of Beatles songs, jazz standards, calypso music and 'classical gas' together with his own, and Martin Taylor's, compositions.
The technique and musicianship required to simultaneously create the multi sounds encompassing 'rhythm, harmony and melody', seems unbelievable yet the beautiful sounds he is making are from a SOLO artist, without the use of  pedals etc, and it's all happening on the stage in front of you.The dynamics of his music are phenomenal and I know it's a cliché but it has to be said,'you would think their were several guitarists playing with him' to obtain the complex beautiful sounds that he creates.
From the very beginning of the concert to the end I was on the edge of my seat wondering what incredible guitar sounds are you going to hear next, I have never heard or seen guitar musicianship (from both musicians I might add) of that calibre before. A wonderful concert!!!!
Having said all that, I must not sidetrack Martin Taylor in any shape or form. Most, if not all, of what I have said applies to Martin Taylor as well, because he was every bit an integral part of the concert, who made an enormous contribution to the evening.
The duo renditions were breathtaking and exquisite. The sounds Martin Taylor made whilst playing his 'calypso' composition were created by inserting a piece of cardboard in to the sound box of the guitar giving a percussive sound,and also during the same number Tommy Emmanuel demonstrated that by tapping his guitar with his hands in a 'conga drum style' (I believe the name for a congo drummer is a 'conguero'),the 'conguero Tommy Emmanuel' played a most wonderful and exciting, strictly percussive solo which had to be seen to be believed.
Ron Ainsborough

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