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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sun 11: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 11: Spanish City Rollers @ Northumberland Square, North Shields. 12:30pm. Free. Community band inc. Graham Hardy.
Sun 11: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 11: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Xmas party feat. Mick Donnelly Quartet. 4:00pm. Tickets: £6.00 (admission from 12 noon).
Sun 11: Paul Skerritt @ Liberty Brown's, Sunderland. 1:00pm.
Sun 11: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 11: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 11: DC Blues Band @ Tyne Bar, Newcastle. 4:00pm. Free. Blues Band.
Sun 11: Jason Isaacs @ Hoochie Coochie, Newcastle. 5:30pm. SOLD OUT!
Sun 11: Boys of Brass @ Stack, Seaburn. 6:00pm. Free.
Sun 11: Elda with Faye MacCalman + John Pope & John Garner @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 12: Central Bar Quintet plays Kind of Blue @ Central Bar, Gateshead. 7:30pm. Concert performance + jam session. £5.00 (free admission to sitters-in).

Monday, March 18, 2013

CD Review: RENEE YOXON & MARK FERGUSON – HERE WE GO AGAIN

Renee Yoxon – vocal; Mark Ferguson – piano and trombone; Jeff Asselin – drums; Joel Kerr – bass; Rene Gely – guitar; Frank Lozano – tenor sax; Craig Pederson – trumpet.
Self released, March 12th 2013.
(Review by Debra Milne)
Here We Go Again is the second album from up and coming Canadian jazz vocalist Renee Yoxon, who has teamed up with Ottawan pianist, trombonist, composer & arranger Mark Ferguson.  The project of entirely original compositions explores themes of love, the most poetic of which are, not surprisingly, melancholic.  As a result, most of the tracks are slow tempo songs and ballads, which showcase Yoxon’s clear, warm voice and Ferguson’s delicate piano led ensemble.  
The album opens with ‘So Far’, exploring maritime metaphors to describe a drifting relationship, and which features the first of several absorbing piano solos by Ferguson. Following on from ‘Drinking Coffee’, which would probably suit a Country  music setting better than jazz ,  the 3rd and title track ‘Here We Go Again’ stands out from the rest, with a dynamic contemporary feel, due to a combination of  change in time signature, and more active contributions from the ensemble, especially Frank Lozano on tenor sax. ‘Watching’ is particularly compelling, beginning with a bowed double bass intro, and includes a haunting trumpet solo by Craig Pederson.  
The theme of love and death is continued in ‘Canary’, Yoxon’s addition to that little known canon of songs about deceased birds (a small prize awaits the first reader who can name any of the others).  In contrast, when she is newly in love, in ‘There’s Only You’ and ‘Just As We Are’, the music is up tempo and swinging.  Lozano’s agile, lyrical tenor solos are an unexpected highlight of several tracks, notably in ‘Have We Been In Love Before?’, and ‘Sao Paulo’.  The latter is a Latin instrumental where the melodic line is sung in unison with the sax, underpinned by the rhythmic  ensemble, including Rene Gely on guitar. The blues work out 1-2-3, also provides some light relief, and gives Yoxon the opportunity to let loose some serious scatting, interchanging phrases with Ferguson on trombone.  
Overall, Yoxon shows promise as a songwriter and interpreter of lyrics, but the album would have benefitted from a broader variety of material.
Debra M.

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