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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

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'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

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Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Sun 19: BTS Trombone Day @ Mark Hillery Arts Centre, Collingwood College, Durham University DH1 3LT. 11:00am-5:00pm. Free to British Trombone Society members (£10.00. & £5.00. to non-members). Recitals, workshops and mass blows.
Sun 19: Anth Purdy @ The Links, Blyth. 12:30-1:00pm. Free. ‘Blyth Battery: Blyth Goes to War Weekend’.
Sun 19: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Andrea Vicari. Enquiries: learning@jazz.coop.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 19: Ransom Van @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 19: Andrea Vicari Trio @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free. Opus de Funk: Horace Silver.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Saturday, March 16, 2013

Dean Stockdale Trio - Cherry Tree Restaurant, March 11, 2013

Dean Stockdale (piano), Neil Harland (bass), Stuart (drums)
(Review by JC.)
This gig was generally advertised as Dean Stockdale plays Oscar Peterson, which seemed a bit of a mis-match, as Dean looked young and quite fit whereas the last time I saw Oscar he was definitely carrying a few extra pounds and rumour had it he hadn't picked up a tennis racket for years. So I was pretty sure this gig wasn't going to go the full five sets. However as it happened, the encounter never got to even a tie-break as the Big Man didn't show and Dean had to play for both of them - and boy, didn't he do a good job!
I have to say I'm a big fan of these gigs where local musicians explore the music of a particular jazz artist, as it's a great way to re-engage with the musician's work. Previous shows dedicated to Miles, Bill Evans and Thelonius Monk have had me digging out old albums and CDs and listening again with great enjoyment (and of course we shouldn't forget Djangologie, who do a great job with the Hot Club style).  And I'm hopeful that the gigs playing the music of Charlie Mingus and John Coltrane will come around again (at the Cherrytree , maybe?) The added bonus is that you also get a potted history of the musician's life and work, which for me at least, adds greatly to the overall effect.
Dean started the evening by immediately addressing the standard image of Peterson as a big man in a stylish suit playing the piano brilliantly, but at 90 miles an hour - 'the fast fingered Canadian' as one person has described him.  He talked about the quality of his compositional skills based on his classical training, but also how he was rooted in the blues. This was illustrated very nicely by the first number, Kelly's Blues. Then Dean talked about the purpose of Etudes in classical music that are used to demonstrate a particular technique, and he described how Oscar had written many of these from a jazz intonation which he illustrated with Blues Etude. The next piece was based in Peterson's love of his homeland and was from a longer work called Canadia and this was followed by a beautifully complex (and mainly solo) version of Body and Soul (the 'granddaddy of all standards' Dean claimed, somewhat controversially). These first four pieces demonstrated perfectly the variety and subtlety of Peterson's work and were very well played.
We then had Sushi written for a tour of Japan and a beautiful jazz waltz, Love Ballade, written for his daughter, Celine. These were followed by Cakewalk, which Peterson wrote after his stroke in 1993 when his left hand was quite badly affected. It still sounded pretty good to me. However, my favourite was from one of Peterson's most well known albums, Night Train, and the track he played was Hymn to Freedom. I was immediately transported back 40 years to the back room in my friend's house where we used gather in the early hours of the morning to listen to jazz. He had a complex sound system of a turntable wired into a four-foot high speaker he had built himself and then into an old valve radio to give a pseudo stereo effect and he always managed to procure key jazz albums. Night Train was one of those and Hymn to Freedom was a bit of an anthem at the time.
At the end of the first set Dean introduced the ever-dependable Neil Harland on bass and Stuart on drums, who was sitting in very competently for the indisposed Paul Smith. I didn't catch his second name (if it was mentioned) but maybe he just has one name, like Sting or Bono.
Unfortunately, circumstances decreed that I had to leave early in the second set but in certainly sounded as if this was going to provide an equal number of delights. I left the Cherrytree with the final notes of Georgia on my Mind, again from Night Train, pursuing me out the door. As usual, the food and service were of a high standard, so overall a great night.
JC

1 comment :

DS said...

I should mention it was Stuart Hakeny as a last minute drum replacement. Dean

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