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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 26, 2013

CD Review: Felipe Salles - Departure

Felipe Salles (ten/sop/fl/bs clt); Randy Brecker (tpt); Nando Michelin (pno); Keala Kaumeheiwa (bs); Bertram Lehmann (dms/perc); Laura Arpiainen (vln).
Brazilian reedman and composer Salles has put together an intriguing collection of originals drawn from his immersion in a mix of the native music of Brazil, contemporary classical music and, of course, jazz in the form of Bebop, Blues and beyond. Add ace trumpet man Randy Brecker and Salles' long term international band (pianist from Uruguay, German drummer, Boston bassist and a violinist from Helsinki) and you have a very cosmopolitan cupcake.
Needless to say, any album with Brecker aboard is worth listening to but, in case you aren't familiar with the leader's work, Salles is one mighty tenor player. The moods vary. Title track Departure gives an audio image of an airport scenario and maybe Seagull's Island is passed over on the journey. Both tracks are post hard bop workouts but Béla's Reflection is a jazzy exploration of composer Béla Bartok's work. 
Maracatu D'Orleans takes the indigenous music of Pernambuco and infuses it with some post bop and a hint of New Orleans drumming. Brecker shines and I could imagine this played by Blakey's Jazz Messengers. Awaiting - a plaintive cry for help with Salles at his most lyrical. This is someone gazing into the unknown -  will she/won't she? B's Blues has Salles exploring - could be Joe Lovano, Salles knows his way around the horn. Michelin's piano break prompts Salles into further extravaganzas. Bass and drums do a Time Out chorus before Salles takes it out. I haven't studied enough Schoenberg to appreciate the niceties of Schoenberg's Error. C'est La vie! It's a rather beautiful piece anyway and it doesn't sound like an error to me! It contains, perhaps, Salles finest solo of the album. Michelin's solo let's us know that Uruguay can also nurture jazz musicians. Adagio Trieste is quite lovely with it's pastoral meandering - each player taking a slow walk down their own favourite byways - a lover's lane, a school walk or just a place to wander and reminisce. It didn't lead to the next street which was, 52nd Street, This track - Natural Selection - was born in Birdland, on 52nd or maybe at Mintons. For me this is the track of the album but, bebop biassed as I am., it would be! Brecker and Salles lay it down.
Recommended.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance