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Bebop Spoken There

Alan Broadbent: “I really enjoy working with some singers. It depends. Again, there has to be a give and take between the two of us. Otherwise, it’s just a job and I’m too old for that now.”(Jazz Times February 2015).

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Alan Broadbent: “As soon as I heard where Georgia [Mancio] was coming from, and the tradition in terms of songwriting and her appreciation of standards, it was basically the same as mine.” – (Jazzwise April 2017)

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Archives.

Today Thursday March 30.

Afternoon
Vieux Carré Jazzmen - The Holystone, Whitley Rd., Holystone, Newcastle (ish) NE27 0DA. 1pm. Free.
Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068
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Strictly Smokin' Big Band- The Millstone, Haddrick's Mill Rd., South Gosforth NE3 3DB. 7pm. Free.
Pasadena Roof Orchestra - Customs House, Mill Dam, South Shields NE33 3NG. 7:30pm. £19/£17.50 (conc.)
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Tees Hot Club w. Bruce Taylor (keys); John Brett (tenor); Ray Dales (alto) - Dorman's, Oxford Rd., Middlesbrough. 9pm. Free.
New Orleans Preservation Jazz Band - The Oxbridge, Oxbridge Lane, Stockton on Tees. 8:30pm.
Paul Skerritt Band - Pennyweight, Bakehouse Hill, Darlington DL1 5QA. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, June 13, 2016

Ruth Lambert Trio/Sue Ferris Quartet @ Bridge Hotel, Newcastle. June 12.

Ruth Lambert Trio: Ruth Lambert (vcl); Mick Shoulder (bs); Giles Strong (gtr).
Sue Ferris Quartet: Sue Ferris (ten/fl); Paul Edis (pno); Tony Abell (bs); Rob Walker (dms).
(Review by Lance/Photos courtesy of Ken Drew).
Part of Jazz North-East's admirable Women Make Music series although, in actual fact, only two of the seven musicians involved were of the 'fairer sex'. However, as Lambert and Ferris were the leaders of their respective bands, the WMM  nomenclature was fully justified and, after you'd heard them sing/play, gender went out of the window!
The Ruth Lambert Trio played the first set. A well-balanced mix of original compositions by all three, some Cole Porter and a more contemporary number - Oscar Brown, Jr.'s The Snake.
The audience may have been thin on the ground, although you wouldn't have known it by the volume of applause at the end of each number. Such was the gossamer-like nature of the music that applause after solos would, on this occasion, have destroyed the ambience irrespective of how deserving.
Strong alternated between classical guitar and an Ibanez Jazz as and when the number demanded it. He soloed and comped well on  both. He also composed one of the songs - Everything Was Beautiful. Shoulder was, as ever, melodic and swinging. He too provided some material. The opener, How Can I? and a collaboration with Ms Lambert, Lullaby. Ruth herself wrote A Love That Never Dies and also put her stamp on You'd Be So Nice To Come Home To;Love for Sale and Devil May Care.
Encased in a sheath that wouldn't have been out of place on the aforementioned snake, the lady herself was, as ever, in good voice bringing her own take to each number. Subtle nuances, a slight variation in the meter, a change of direction, all combining for a class performance.
A short interval before the second band took to the stage led by Sue Ferris.
Sue, who'd earlier in the evening guested with the trio on You'd Be So Nice etc.,blows tenor, not like a woman, more like a jazz musician of any gender. Hard-blowing, straight down the middle, saxophone playing of the first order. Just Squeeze Me; Jerry Bergonzi's Red's Blues; Bill Evan's Peris Scope; I Thought About You; Paul Edis' cleverly titled McCoyn a Phrase (ref McCoy Tyner) all blown on tenor with a really wailing chorus on the latter number.
A switch to flute for a piece by the Durham-based, vastly underrated, composer Will Todd and another clever title - I Thought About Who? More flute on All or Nothing at All. A samba beat and some superb hand-drumming from Walker took us down to Rio and not a sign of any Zika symptoms!
Back to tenor and the last number - Clifford Brown's Sandu.
The solos on this set were acknowledged - choruses for courses!
Special mention of Tony Abell who stepped in at short notice for Neil Harland - he cut the mustard. Paul Edis was, simply, Paul Edis, and I can praise him unequivocally as I'm not his dad!
And Rob Walker also played great - for a man!
The prompt finish meant I had no problems catching the number 27 as it stops close by!
Lance.

1 comment :

  1. Number one son always suggests that, when the Early Birds support one of Pauls' groups, I arrange with his dad that he does EBs and I do Paul.
    This is why I always big-up Paul (and not cos he's brilliant), hoping his dad will reciprocate re Francis.

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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