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Bebop Spoken There

Jeff Lindberg: "You can have innovative new music and you can play music of the masters. They're not going to cancel each other out" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Friday May 24

Afternoon

Jazz

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Giles Strong Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening.

Blues/Soul/Funk

Dave Kelly & Christine Collister - Gala Theatre & Cinema, Millennium Place, Durham DH1 1WA . Tel: 03000 266 600. 8:00pm. £18.00.

The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

Groove-a-matics - Lindisfarne Club, West St., Wallsend NE28 8LG. Tel: 0191 262 4258. 9:00pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 26, 2013

CD Review: Felipe Salles - Departure

Felipe Salles (ten/sop/fl/bs clt); Randy Brecker (tpt); Nando Michelin (pno); Keala Kaumeheiwa (bs); Bertram Lehmann (dms/perc); Laura Arpiainen (vln).
Brazilian reedman and composer Salles has put together an intriguing collection of originals drawn from his immersion in a mix of the native music of Brazil, contemporary classical music and, of course, jazz in the form of Bebop, Blues and beyond. Add ace trumpet man Randy Brecker and Salles' long term international band (pianist from Uruguay, German drummer, Boston bassist and a violinist from Helsinki) and you have a very cosmopolitan cupcake.
Needless to say, any album with Brecker aboard is worth listening to but, in case you aren't familiar with the leader's work, Salles is one mighty tenor player. The moods vary. Title track Departure gives an audio image of an airport scenario and maybe Seagull's Island is passed over on the journey. Both tracks are post hard bop workouts but Béla's Reflection is a jazzy exploration of composer Béla Bartok's work. 
Maracatu D'Orleans takes the indigenous music of Pernambuco and infuses it with some post bop and a hint of New Orleans drumming. Brecker shines and I could imagine this played by Blakey's Jazz Messengers. Awaiting - a plaintive cry for help with Salles at his most lyrical. This is someone gazing into the unknown -  will she/won't she? B's Blues has Salles exploring - could be Joe Lovano, Salles knows his way around the horn. Michelin's piano break prompts Salles into further extravaganzas. Bass and drums do a Time Out chorus before Salles takes it out. I haven't studied enough Schoenberg to appreciate the niceties of Schoenberg's Error. C'est La vie! It's a rather beautiful piece anyway and it doesn't sound like an error to me! It contains, perhaps, Salles finest solo of the album. Michelin's solo let's us know that Uruguay can also nurture jazz musicians. Adagio Trieste is quite lovely with it's pastoral meandering - each player taking a slow walk down their own favourite byways - a lover's lane, a school walk or just a place to wander and reminisce. It didn't lead to the next street which was, 52nd Street, This track - Natural Selection - was born in Birdland, on 52nd or maybe at Mintons. For me this is the track of the album but, bebop biassed as I am., it would be! Brecker and Salles lay it down.
Recommended.
Lance.

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