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Bebop Spoken There

“Trad is a sensible name for a soap powder - not for a music" - Chris Barber (Trad Jazz Britannia BBC4 2013.)

“This (bop) was a jetliner. It (trad) was a Tiger Moth.” - Laurie Morgan (Trad Jazz Britannia BBC4 2013.)

Bebop Spoken There archives (From Greg Abate to Mike Zwerin!)

TODAY SATURDAY MAY 25

YolanDa BROWN - Alnwick Playhouse, Alnwick. 7:30pm. £18.50.
Award winning sax player and composer.
JAMES HARRISON (pno) - SOLO DINNER JAZZ - The Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. Tel 2399924. 7:30pm.
Relax with good food and good music.

Monday, June 18, 2012

ACV @ The Bridge Hotel. June 17.

Andy Champion (double bass), Graeme Wilson (tenor & baritone saxophones), Mark Williams (guitar), Paul Edis (keyboards) & Adrian Tilbrook (drums).
(Review by Russell).
The Bridge Hotel could be said to be the spiritual home of ACV. Familiar territory, familiar faces. Two sets of familiar and not so familiar tunes, although the ‘not so familiar’ are fast becoming the familiar. Tunes culled from the debut CD Fail in Wood and tunes from the soon-to-be-released second album engaged the audience from start to finish. Degree Absolute (with a light touch from guitarist Mark Williams), Waking the Sleeper (Graeme Wilson’s baritone, Williams’ guitar and Main Man double bass man Andy Champion all excelling) and What’s for Breakfast? (Wilson and Williams right on the money) scored heavily. Wilson’s tenor on And I Do concluded the first set. McMullen’s Bitter proved to be a good choice at the bar.
 Second set. A Line Made by Walking (with a new intro?) invited the quintet to stretch out and produce the best live take yet. Never Ever (one of the newer tunes) spotlighted Paul Edis (keyboards) and Wilson (tenor). Hearing this one again the thought occurred that a Norma Winstone (or Z.Gilby) vocal wouldn’t be out of place. Much mirth followed as front row mad man G.Milburn had his leg pulled about being a mad man, so it was apposite that we heard Nutmeg State (drummer Adrian Tilbrook taking the honours with some first rate work).  Giant Mice danced playfully along Edis’ keyboard then took fright as Wilson wielded his baritone once more. Sensitive bass playing won Champion applause on Dust Red, the calm before the storm. And so to the storm. Champion, Wilson, Williams, Edis and Tilbrook = Without Bones. Williams floored them. Tilbrook left them with jaws on the floor. Champion wiped the floor. Bravura playing. Bravo!
(Photos (2) from Jerry Edis.)
Russell                    

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About this blog - contact details.
Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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