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Bebop Spoken There

Van Morrison: ''Basically, I'm coming from jazz. Not pop, not rock, not what's commercial. That's where I started, and that's still where I am. I feel the same as I did when I was listening to Louis Armstrong, Lead Belly, Jelly Roll Morton''. (The Northern Echo, 12 June 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

1803759 (and counting) posts since we started blogging 17 years ago. 480 of them this year alone and, so far, 58 this month (June 18).

From This Moment On ...

JUNE 2025

Mon 23: MSK Trio @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance.
Mon 23: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.

Tues 24: ???

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 25: The Magpies of Swing @ The Roxy, Leadgate, Co. Durham. 7:30pm. A Ginger Jitterbugs swing dance event, all welcome.

Thu 26: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Brass Instruments & the use of mutes.

Fri 27: Lewis Watson Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 27: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Strictly Smokin’ Big Band @ Gosforth Civic Theatre, Newcastle. 8:00pm. ‘Time After Time’.

Sat 28: Vieux Carré Jazzmen @ The Linskill Centre, North Shields. 4:00-10:30pm. Free, but ticketed (over 18s only). A multi-bill, multi-genre ‘Canny Shiels - North Shields 800’ event. Three Kings Brewery on site.
Sat 28: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 28: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 29: Jude Murphy & Dan Stanley @ Wallington, Northumberland. 12 noon-1:00pm & 2:00-3:00pm. Tel: 01670 773606. National Trust admission prices apply. ‘Tunes in the Blooms’.
Sun 29: Glenn Miller Orchestra UK @ The Fire Station, Sunderland. 3:00pm. Ray McVay & co.
Sun 29: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 29: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 29: Zoë Gilby w. Ryton Choral Society @ Corbridge Middle School NE45 5HX. 5:30pm. £15.00. Gilby w jazz trio & choir. ‘An evening of jazz song for choir’.
Sun 29: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 29: John Wilson & the Sinfonia of London @ The Glasshouse, Gateshead. 7:30pm. ‘Rodgers & Hammerstein’s Greatest Hits’.
Sun 29: Out Front @ The Globe, Newcastle. 8:00pm. JNE.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, June 13, 2012

CD Review: Centennial - Newly Discovered Works of Gil Evans.

(Review by David Brownlow).
An American arranger called Ryan Truesdell (no, I hadn’t heard of him either) has assembled a stellar group of musicians and soloists to perform and record ten previously unheard works of Gil Evans on the one hundredth anniversary of his birth. The pieces have been recently discovered among the manuscripts kept by Gil’s family – wife Anita and sons Miles and Noah – and used with their permission.
There are pieces drawn from three areas of Gil’s career i.e. “The Thornhill Years” “The Individualism of” and the “Vocalists”.
Thornhill: Maids of Cadiz; How About You; Who’ll Buy My Violets; Dancing on a Great Big Rainbow.
Individualism: Punjab; Barbara Song; Waltz/Variation on the misery; So Long. 
Vocalists: Smoking my Sad Cigarette; Beg Your Pardon; Look to the Rainbow.

The “Thornhill” pieces are shorter and have a delightful mid - 1940s feel including some “Danny Polo”-ish clarinet from Scott Robinson and early “Red Rodney”- ish brassy trumpet from Greg Gisbert. All exhibit Gil’s typically ingenious orchestrations with rich textures and adventurous, unexpected voicings of instruments.
The three “Individualism” items are longer explorations of Gil’s which point the way towards his later work including extended solo sections. There are “David Sanborn/Chris Hunter” style alto solos from Steve Weston, some exceptional free-flowing vibes work from Joe Locke (standout soloist for me ) and some pithy choruses from Donny McCaslin on tenor.
A version of“Punjab” was recorded in 1964 but never released. Ryan Truesdell added tabla accompaniment to the arrangement and it now flows sympathetically. In “Barbara Song”, Gil used a section which emerged later in his career as “Copenhagen Sight” and “London”. Gil often returned to arrangements - sometimes years later- to review or revise them. “Waltz/Variation” spans 500 bars making it the longest work of Gil’s. The main theme is “The Time of the Barracudas” in which he developed and added to by extending sections and adding new melodic content. Truesdell considers it to be Gil’s “magnum opus” as it exemplifies his extraordinary abilities as a composer. One can only agree !
The three “vocal” pieces are :-
“Smoking my sad cigarette” sung by Kate McGarry
“Beg Your Pardon” sung by Wendy Gillies
“Look to the Rainbow” sung by Luciana Souza
Each of these songs showcase Gil’s unique skills in a different way. The only criticism I have is that at times, the backdrops are a little too busy - detracting slightly from the vocals.
In conclusion, this CD is a respectful tribute to Gil from Ryan Truesdell, the Evans family and ourselves, the jazz-loving public.
David Brownlow.

1 comment :

Ann Braithwaite said...

Thanks much for posting David Brownlow's review of Ryan Truesdell's Gil Evans Centennial CD.
I most appreciate it.
All the best,
Ann Braithwaite

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