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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Rockafellas - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Bradley Johnston Trio + Giles Strong Trio - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00.

Dan Garel & Friends - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm (doors). £6.00. (£3.00. student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, June 08, 2012

Watson, Walker, Edis @ The Lit and Phil.

Lewis Watson (ten); Paul Edis (pno); Rob Walker (dms).
(Review by Lance).
The cymbals bring it in - tinkling, shimmering, setting a mood. The composition is called Oh Nothing but it turns out to be something created by the keeper of the cymbals Rob Walker. Edis takes it up on piano a repetitive strain that continues after Watson's tenor luxuriates in some meaningful long notes. The tension builds, the sax develops the theme, piano becomes more intense, sax moves up a gear, drums mixes it with them before they return to base and segue into the next movement of this, what is turning into being a beautiful, jazz suite.

This triumvirate of talent is gelling so perfectly that I hardly notice the absence of a bass. Truth is, a bass would be superfluous so well integrated are these Three Kings.
The music is close to Free yet it isn't - perhaps controlled Freedom with no abuse of the instruments. No farmyard squawks or duck calls only musical sounds as we know them.
Newcastle is so lucky - these guys should be playing at Ronnie's or Birdland or any jazz club in The World! 
Bop Head is as near to convention as we get, 3/4 Harmonic Minor - Lewis' sound  never better than on this. 
Carried on the Wind - a suggestion of Debussy from Edis with some thunder from Walker and lightning from Watson. Funk and Clunk - overtones of Detroit - then the lovely Calm and Calamity.
Like the Transit of Venus crossing the sun, Watson floats easily, his vision unclouded and we are on edge awaiting the calamity. It happens! Lewis, Edis and Walker are in full flight! Reaching striving, achieving! If this is calamity bring on the Eve of Destruction because "Calamity" now means Glorious Salvation!
Three, Four, Seven Four, Five Four a mix of time signatures before, all too soon, we come to the movement entitled The End.
This was an unbelievable experience that ranks way up there with any gig in recent years.
Lance.
Oh yes, in case you hadn't guessed - these were all compositions written by the performers. Edis (5), Watson (3), Walker (1). 

2 comments :

Roly said...

You're right Lance. How fortunate we are to have such wonderful players here on our doorstep. Brilliant, different, top drawer. Festival organisers take note.
Roly

Russell said...

Do you think Statler and Waldorf in the front row enjoyed it? - see photograph.

Russell

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance