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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, June 02, 2012

Gavin Lee’s 7th Street Dixieland Band: Jazz @ the Fell - Friday June 1.

(Review by Russell - Photos by Oliver Soden).
Gavin Lee (clarinet), Jim McBriarty (alto saxophone & vocals), Brian Chester (piano), Phil Smith (double bass), Fred Thompson (drums & vocals) & Beth Miller (vocals)
Gateshead Royal British Legion Club on Coatsworth Road, home to Jazz at the Fell, had, for some reason, made an effort to be festive. A hand-drawn poster announced a party for all the family would be held on Monday. A tired-looking string of flags signalled something – perhaps indifference.
The jazz would surely be anything but indifferent. Clarinetist Gavin Lee’s 7th Street Dixieland Band straddles the Mason-Dixon Line in the world of jazz centred around Jazz Age Chicago with occasional sorties south. George Gershwin made the first contribution to the party; Somebody Loves Me featured the first of the vocalists – Jim McBriarty. Fred Thompson sang You Can Depend on Me (you sure can) with solo efforts from McBriarty (alto) and Lee (clarinet). Beth Miller came up from the delta – Teesside Delta – to sing with the band. A bright and breezy On the Sunny Side of the Street made it easy to warm to Miller’s assured low-register delivery. My Funny Valentine, ostensibly an incongruous selection, worked well; Miller impressed, so too Lee, given that the clarinetist had never before played the tune. The outstanding number of the night came courtesy of drummer and sweet-toned vocalist Fred Thompson. Pianist Brian Chester (on top of the material all night) offered the one chord and Thompson sang the verse from Stardust unaccompanied. The band joined him and it was brushes all the way from Thompson. You know how it is – hundreds of gigs waiting for that moment…this was it. I don’t know about gig of the year but this was a contender for moment of the year! 
The interval came and went - raffle, domino card, buffet, another Brown Ale (the club doesn’t do real beer) – and Strike Up the Band marshalled a parade of brolly dollies and a hand-knitted red, white and blue number (a ‘jersey’) was sighted. What’s that about getting dressed in the dark? Harold Arlen focused the mind once more – As Long as I Live – and vocalist Miller returned to the stage to sing September in the Rain. That’s who she reminds me of…there is something of Sassy Sarah Vaughan in her lazy, languorous tone and it wasn’t cold, it wasn’t damp, she ain’t but Miller gave us The Lady is a Tramp
This was a good night out, not strictly Dixieland by any means, simply good tunes played by good musicians. Chester, Phil Smith (bass) and Thompson coped admirably with numbers thrown at them by amiable bandleader Lee and the frontline – Lee and McBriarty – rattled-off the solos. Next week get along to Jazz at the Fell to hear the Maine Street Jazzmen.
Russell

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance