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Bebop Spoken There

Peter Woodford: "I noticed when I went to hear some jazz in a little pub on the outskirts of London the people were really listening. I'm used to guys in bars only interested in making out with their girl friends. Here the idea seems to be to take a girl, enjoy the music, and make out later." - (Crescendo September 1972).
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Archive

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today Wednesday February 19

Afternoon

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Zoë Gilby & Mark Williams - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 1:00pm. £3.00. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

After Hours #4: Stéphane Grappelli - Cafédral Durham, Owengate, Durham DH1 3HB. 7:30pm. £5.00. (concs. available). Sonia Rae (violin); Tom Burgess (guitar); Jack Theaker (guitar); Angus Shennan (keyboards); David Byfield (drums) + Clara Falkowska (flugelhorn, violin). ‘The life and work of Stéphane Grappelli’. Durham University Jazz Society event.

Blues/Soul/Funk etc.

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 20, 2012

CD Review - Julian Bliss: A Tribute to Benny Goodman.

Julian Bliss (clt); Neal Thornton (pno); Jim Hart (vbs); Martin Shaw (tpt); Colin Oxley (gtr); Tim Thornton (bs); Matt Skelton (dms).
(Review by Lance.)
Benny Rides Again! This tribute to the King of Swing is an absolute gem re-capturing perfectly the feel of those distant days. Based loosely on the Goodman Sextet although augmented, by the addition of Martin Shaw on trumpet, to a Septet to incorporate some of the big band material - the opening mix of Don't Be That Way and Stomping at the Savoy is particularly, and effectively, well done.

Bliss, better known as a classical clarinettist, turns his attention to the small group works of Benny Goodman just as BG himself made forays into the classical repertoire.
With a hand-picked team, the spirit of the thirties and forties exudes from each track without loss of individuality.
The leader, a child prodigy at 5 and now 23, displays an innate affinity to the music producing a near perfect clarinet sound and, despite his classical upbringing, no lack of swing. Jim Hart once again proves his ability to handle any musical situation although he has had previous experience of the Goodman canon with Alan Barnes. Colin Oxley, not unknown in this neck of the woods, slots easily into the Charlie Christian role with impressive soloing and comping whilst Martin Shaw plays himself not attempting to go down the brash Harry James/Ziggy Elman path. His poignant duet with Bliss on Goodbye conveys the sadness of the Gordon Jenkins' tune.
Neal and Tim Thornton (are they related?*) on piano and bass, alongside the ubiquitous Matt Skelton, fill out the rhythm section making this a very tight ship as indeed all Goodman units were.
The King is dead - Long live the King!
A worthy tribute.
Julian Bliss: A Tribute to Benny Goodman. Signum Classics.
Lance.
*Neal and Tim Thornton are father and son and this is their first record together.

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