Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sun 04: Tees Bay Swing Band @ Heugh Battery, Hartlepool. 11:00am-12 noon & 1:00-2:00pm.
Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 04: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Bill Watson (trumpet).
Sun 04: Sax Choir w. Rachel Musson @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: Rivkala + Ceitidh Mac + Thatcher & Knowles @ The Globe, Newcastle. 2:30pm. A NFOJAIM event.
Sun 04: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. RESCHEDULED from September 27.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Thursday, February 19, 2026

Album review: Julie Benko - Euphonic Gumbo (Club44 Records)

Julie Benko
(vocals); Jason Yeager (piano, B3 tks 1, 2, celeste tk 6, arranger); Andy Warren (trunpet, flugelhorn); Ron Wilkins (trombone); Linus Wyrsch (clarinet, tenor sax); Michael O'Brien (basses); Jay Sawyer (drums) + John Manzari (vocals tk 8, tap dance tks 4, 8); Evan Arntzen (tenor sax tk 10); Sasha Papernik (accordion tks 5, 9); Justin Poindexter (guitar, banjo tk 9); Gabe Terracciano (violin tk 9); Jim Caruso (announcer)

Benko, a renowned Broadway star and enthusiast of things New Orleans, leads an exuberant ensemble through a variety of genres making for an enjoyable 38 minutes.

Down in New Orleans Medley takes us on a Tuba Skinny style romp incorporating Bourbon Street Parade; Go to the Mardi Gras; and Basin Street Blues. Benko is au fait with the idiom and the band sound authentic.

Ticklin' Time is a mix of Let the Good Times Roll and Tipitina. An earthy vocal from Benko and some whorehouse piano from her spouse Yeager - label it r 'n' b.

The Lakes of Pontchartrain, a traditional Crescent City folk song. A nice folksy vocal, sympathetic flugel from Warren and that universal theme of unrequited love in a rustic setting that is indigenous to folk songs the world over.

Funky Fate has some tap from Manzari who certainly knows how to hoof. The songs are Iko Iko and Tootie Ma is a Big Fine Thing. Mama Benko knows her funk!

Ma Belle Evangeline: A combination of Randy Newman's Ma Belle and the words of Longfellow's Evangeline done in an engaging 3/4 time.

Pretty Baby harks back to its New Orleans roots with tailgate trombone, rippling clarinet, tightly muted trumpet and 'boo-boop-a-do' vocal.

Don't You Come Home Bill Bailey. No that isn't a typo and in many ways it's a more appropriate one! Benko is at her finest here leading the ensemble with a strident vocal that keeps the aforementioned Mr William Baker out in the cold - the dirty dog!

St. James Infirmary. Benko and Manzari share the vocal on this traditional lament. Done in 7/8 time, tapper Manzari trades fours with drummer Sawyer. A brilliant Yeager arrangement.

Jai Passé Devant Ta Porte. An intimate Cajun folk song in 3/4. Voice accompanied by accordion, violin and banjo add yet another genre to this mixed bag of goodies.

Do You Know What it Means to Miss New Orleans? Recorded live in Birdland, a gentle vocal is followed by a tinkling piano solo and a laid back chorus by tenor saxist Arntzen before Benko returns with the grand finale.

I enjoyed it immensely my only reservation being that the multi-genre nature of the album may deter the purist. It shouldn't. Check it out, you'll be pleasantly surprised! Lance 

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