The LP was the ideal format for recording jam sessions and none were carved in vinyl better than those led by Buck Clayton in 1953 and 1954.
True the opening shots had been fired by Norman Granz and his various JATP aggregations. They were live recordings that invariably had the rebel-rousing soloists playing to the gallery with honking tenors, screaming trumpets and drum battles that saw Rich wiping the floor with Krupa. Even Nat Cole wasn't immune from this musical bloodletting.
The crowd loved it and I'm sure I would too if I'd got caught up in the frenzy. However, in the cold light of morning listening to the records it's not the same. A bit like the girl you thought was the most beautiful girl in the world the previous night turns out to be anything but and you vow never to mix your drinks again!
The Clayton sessions are like vintage plonk - they just get better and better with each play. Most of them are available now on YouTube (isn't every.......thing?) but I wouldn't part with the albums pictured. Strictly speaking the Buck Clayton Special wasn't one of the jam sessions but it fills in the space and it's a good one anyway.
All the big hitters of the pre-bop era are in there many, like Clayton, Basie-ites past and present (1950s).
If I gave myself the impossible task of choosing just one track it would be Blue Lou for the chase chorus between Clayton and Ruby Braff. I was reminded of how good all ten minutes of the track were when Denny Farrell played it on Late Night Chicago Radio this Thursday gone.
They don't play 'em like that anymore. Lance

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