Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18548 (and counting) posts since we started blogging 18 years ago. 412 of them this year alone and, so far this month (May 19) 66

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Tue 26: Noel Dennis Sextet @ The Lit & Phil, Newcastle. 7:30pm. £12.00. A Miles Davis centenary concert (Davis b. 26. 5. 1926). Noel Dennis (trumpet); Harry Keeble (tenor sax); Dean Stockdale (piano); Mark Williams (guitar); Andy Champion (double bass); John Bradford (drums). SOLD OUT!
Tue 26: Lagos to Longbenton @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. Free. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 27: Neighbourhood Watch + Rivkala @ Pilgrim, Newcastle. 7:30pm (doors). £5.00. Rivkala (solo).

Thu 28: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 28: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Miles Davis & His Favourite Musicians.
Thu 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 28: Bobby Rush @ The Cluny, Newcastle. 7:30pm (doors). £25.00. + bf. Veteran USA bluesman.
Thu 28: Squabble @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 28: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.

Sat 30: Giles Strong Quartet @ Langley Tracks, Langley on Tyne NE47 5LA. 5:30pm (doors). £15.00 + £1.50 bf.

Sun 31: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 31: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 31: Sinfonia of London: Tea Dance @ The Glasshouse, Gateshead. 3:00pm. Free. John Wilson ensemble performing on the concourse. Irving Berlin, Cole Porter, George & Ira Gershwin & more.
Sun 31: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 31: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). £3.76.
Sun 31: Joe Steels @ The Pele, Corbridge. 7:00pm. Free (donations direct to the musicians). Joe Steels & Friends.
Sun 31: Ben Haskins Quartet @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00.

June

Mon 01: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).
Mon 01: CW Stoneking @ The Cluny, Newcastle. 7:30pm (doors). Blues, Americana.

Saturday, February 21, 2026

Single review: Jo Harrop If Ever I Would Leave You – Live in London (Wolf Star Records)

Jo Harrop (vocal); Paul Edis (piano); Jamie McCredie (producer)

There are moments in an artist’s life when a song, long associated with another era or another voice, becomes entirely reborn—claimed, reshaped, and inhabited so completely that it feels as though it always belonged to them. Jo Harrop’s new live single, If Ever I Would Leave You (from the musical Camelot), is one of those rare, alchemical transformations.

Harrop has made a career of taking well-worn material and revealing the emotional architecture beneath it—her critics have praised her “late-night hush,” “smoky intensity,” and “Ella-meets-Peggy Lee phrasing”—but nothing quite prepares you for the sheer depth she brings to this Robert Goulet classic. Recorded live in London, the performance captures what she does best: bending time, caressing lyrics until they glow, and honouring the song while gently rewriting its emotional grammar.

At the centre of this spellbinding rendition is her long-serving musical partner, Paul Edis, whose intuitive playing feels less like accompaniment and more like an extension of Harrop’s breath. Together, they move with the fluid precision of artists who have spent years reading—not just each other’s cues—but each other’s souls. Edis seems to anticipate every nuance: when she holds a note a fraction longer, he widens the harmonic palette; when she darkens the tone, he follows her into the shadows with quiet, breathtaking restraint.

The result is a masterclass in duo performance: subtle, spacious, and unhurried. Harrop does not simply sing this song; she lives inside it.

Crucial to the single’s impact is the sonic clarity shaped by producer Jamie McCredie, whose fingerprints have graced several of Harrop’s finest recordings. His work here captures the warmth of the room, the tension of breath between phrases, the unmistakable electricity of a London audience leaning into every syllable. McCredie once again proves himself a producer who knows how to frame Harrop’s voice—never over-polished, never over-lit, always achingly intimate.

As the first release from her forthcoming Live in London EP—issued via Wolf Star Records—this beautifully produced single feels both like a summation of where Harrop is artistically and a thrilling signpost to what comes next. It is independent music-making at its most authentic: fearless, tender, and delivered with emotional truth.

A timeless song, reclaimed with authority.
A vocalist at the height of her powers.
A pianist in perfect synchrony.
A producer who understands the art of capturing lightning.

If ever she would leave you?
On the strength of this performance, not a chance. Glenn Wright

 

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