Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18754 (and counting) posts since we started blogging 18 years ago. 618 of them this year alone and, so far this month (July 28) 82

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Wed 29: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Abbie Finn Trio @ Music Dept., Durham University. 9:15pm. A Durham Fringe Festival event

Thu 30: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 30: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 30: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes. .

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Red Kites Jazz @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 31: Milne Glendinning Band @ Repas 7 by Night, Berwick. 8:00-9:00pm. £6.00. A Berwick Fringe Festival event. £6.00 (£6.00 wristband access to all Fringe events).

August

Sat 01: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 1/2.
Sat 01: Jim Wright’s Rhythm Deluxe @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 01: Tees Bay Swing Band @ Saltburn Bandstand. 2:30-4:30pm. Free.
Sat 01: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival. 1/2.
Sat 01: Paul Skerritt Swing Trio @ The Vault, Darlington. 8:00pm. Free.
Sat 01: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: The Swing Commanders @ The Amphitheatre, Stockton. 9:00-10:30pm. Free. Stockton International Riverside Festival.

Sun 02: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 2/2.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 02: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Sue Ferris.
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival event. 2/2.
Sun 02: Nel Begley & Paul Edis @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00.

Mon 03: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 03: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free.
Tue 04: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Saturday, February 21, 2026

Single review: Jo Harrop If Ever I Would Leave You – Live in London (Wolf Star Records)

Jo Harrop (vocal); Paul Edis (piano); Jamie McCredie (producer)

There are moments in an artist’s life when a song, long associated with another era or another voice, becomes entirely reborn—claimed, reshaped, and inhabited so completely that it feels as though it always belonged to them. Jo Harrop’s new live single, If Ever I Would Leave You (from the musical Camelot), is one of those rare, alchemical transformations.

Harrop has made a career of taking well-worn material and revealing the emotional architecture beneath it—her critics have praised her “late-night hush,” “smoky intensity,” and “Ella-meets-Peggy Lee phrasing”—but nothing quite prepares you for the sheer depth she brings to this Robert Goulet classic. Recorded live in London, the performance captures what she does best: bending time, caressing lyrics until they glow, and honouring the song while gently rewriting its emotional grammar.

At the centre of this spellbinding rendition is her long-serving musical partner, Paul Edis, whose intuitive playing feels less like accompaniment and more like an extension of Harrop’s breath. Together, they move with the fluid precision of artists who have spent years reading—not just each other’s cues—but each other’s souls. Edis seems to anticipate every nuance: when she holds a note a fraction longer, he widens the harmonic palette; when she darkens the tone, he follows her into the shadows with quiet, breathtaking restraint.

The result is a masterclass in duo performance: subtle, spacious, and unhurried. Harrop does not simply sing this song; she lives inside it.

Crucial to the single’s impact is the sonic clarity shaped by producer Jamie McCredie, whose fingerprints have graced several of Harrop’s finest recordings. His work here captures the warmth of the room, the tension of breath between phrases, the unmistakable electricity of a London audience leaning into every syllable. McCredie once again proves himself a producer who knows how to frame Harrop’s voice—never over-polished, never over-lit, always achingly intimate.

As the first release from her forthcoming Live in London EP—issued via Wolf Star Records—this beautifully produced single feels both like a summation of where Harrop is artistically and a thrilling signpost to what comes next. It is independent music-making at its most authentic: fearless, tender, and delivered with emotional truth.

A timeless song, reclaimed with authority.
A vocalist at the height of her powers.
A pianist in perfect synchrony.
A producer who understands the art of capturing lightning.

If ever she would leave you?
On the strength of this performance, not a chance. Glenn Wright

 

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