Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18621 (and counting) posts since we started blogging 18 years ago. 485 of them this year alone and, so far this month (June 14) 37

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Thu 18: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 18: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 18: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm. Free.
Thu 18: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 19: Joe Steels Group @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 19: Ferg’s Imaginary Big Band @ Cobalt Studios, Newcastle. 7:00pm. £14.33., £11.16., £8.00.
Fri 19: Martin Litton @ Sunderland Minster. 7:30pm. £13.01 (inc. bf); £6.50 (inc. bf); £15.00 on the door. Solo piano. CANCELLED!
Fri 19: Jools Holland’s R&B Orchestra @ Hippodrome, Darlington. 7:30pm. Joe Webb support set.
Fri 19: Hot Club du Nord @ Warkworth Memorial Hall. 7:30pm.
Fri 19: Jive Aces: The Roots of Rock & Roll @ The Cluny, Newcastle. 7:30pm (doors). £20.00 + bf.

Sat 20: Tyne Valley Big Band @ Tynedale Beer Festival, Corbridge. 5:00-6:00pm.
Sat 20: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 20: Red Kites Jazz @ Staithes Café, Dunston. 7:00-9:00pm. Free.
Sat 20: New Century Ragtime Orchestra @ Trinity Church, Gosforth, Newcastle. 7:30pm. £20.00. NCRO w. guests Dean Stockdale & Nick Ward.

Sun 21: From Lagos to Longbenton: Unity in the Community @ Sunderland Minster. From 1:30pm. Free. A multi-bill Unity in the Community event, inc. From Lagos to Longbenton.
Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 21: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio w. Graham Hardy.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Magpies of Swing @ The Globe, Newcastle. 8:00pm.

Mon 22: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 23: Jude Murphy & Dan Stanley @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 24: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Saturday, February 21, 2026

Single review: Jo Harrop If Ever I Would Leave You – Live in London (Wolf Star Records)

Jo Harrop (vocal); Paul Edis (piano); Jamie McCredie (producer)

There are moments in an artist’s life when a song, long associated with another era or another voice, becomes entirely reborn—claimed, reshaped, and inhabited so completely that it feels as though it always belonged to them. Jo Harrop’s new live single, If Ever I Would Leave You (from the musical Camelot), is one of those rare, alchemical transformations.

Harrop has made a career of taking well-worn material and revealing the emotional architecture beneath it—her critics have praised her “late-night hush,” “smoky intensity,” and “Ella-meets-Peggy Lee phrasing”—but nothing quite prepares you for the sheer depth she brings to this Robert Goulet classic. Recorded live in London, the performance captures what she does best: bending time, caressing lyrics until they glow, and honouring the song while gently rewriting its emotional grammar.

At the centre of this spellbinding rendition is her long-serving musical partner, Paul Edis, whose intuitive playing feels less like accompaniment and more like an extension of Harrop’s breath. Together, they move with the fluid precision of artists who have spent years reading—not just each other’s cues—but each other’s souls. Edis seems to anticipate every nuance: when she holds a note a fraction longer, he widens the harmonic palette; when she darkens the tone, he follows her into the shadows with quiet, breathtaking restraint.

The result is a masterclass in duo performance: subtle, spacious, and unhurried. Harrop does not simply sing this song; she lives inside it.

Crucial to the single’s impact is the sonic clarity shaped by producer Jamie McCredie, whose fingerprints have graced several of Harrop’s finest recordings. His work here captures the warmth of the room, the tension of breath between phrases, the unmistakable electricity of a London audience leaning into every syllable. McCredie once again proves himself a producer who knows how to frame Harrop’s voice—never over-polished, never over-lit, always achingly intimate.

As the first release from her forthcoming Live in London EP—issued via Wolf Star Records—this beautifully produced single feels both like a summation of where Harrop is artistically and a thrilling signpost to what comes next. It is independent music-making at its most authentic: fearless, tender, and delivered with emotional truth.

A timeless song, reclaimed with authority.
A vocalist at the height of her powers.
A pianist in perfect synchrony.
A producer who understands the art of capturing lightning.

If ever she would leave you?
On the strength of this performance, not a chance. Glenn Wright

 

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