Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Sat 03: New Orleans Ragtime Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club. Gavin Lee & co.
Sat 03: Anemone Quartet + Jeepe Zeeburg @ The Lit & Phil, Newcastle. 1:00pm. NFOJAIM.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Caravan. Enrol at: learning@jazz.coop.
Sat 03: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 03: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Free. Excellent blues band.
Sat 03: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.50 (inc. bf). Two sets: 7:30-8:15pm & 8:45-9:30pm. ‘Swing Band Dance Night’.
Sat 03: Olie Brice Quartet + Alexander Hawkins + Harper Trio @ The Lit & Phil, Newcastle. 7:00pm. NFOJAIM.
Sat 03: Paul Skerritt Trio @ The Vault, Darlington. 8:00pm. Free.
Sat 03: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 04: Tees Bay Swing Band @ Heugh Battery, Hartlepool. 11:00am-12 noon & 1:00-2:00pm.
Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 04: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Bill Watson (trumpet).
Sun 04: Sax Choir w. Rachel Musson @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: Rivkala + Ceitidh Mac + Thatcher & Knowles @ The Globe, Newcastle. 2:30pm. A NFOJAIM event.
Sun 04: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. RESCHEDULED from September 27.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Amphitrio @ The Forum, Darlington. 7:30pm. £8.00. Andrei Petrache (piano); Mike Alex (double bass); Philip Goron (drums).
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: TBC @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Saturday, February 21, 2026

Single review: Jo Harrop If Ever I Would Leave You – Live in London (Wolf Star Records)

Jo Harrop (vocal); Paul Edis (piano); Jamie McCredie (producer)

There are moments in an artist’s life when a song, long associated with another era or another voice, becomes entirely reborn—claimed, reshaped, and inhabited so completely that it feels as though it always belonged to them. Jo Harrop’s new live single, If Ever I Would Leave You (from the musical Camelot), is one of those rare, alchemical transformations.

Harrop has made a career of taking well-worn material and revealing the emotional architecture beneath it—her critics have praised her “late-night hush,” “smoky intensity,” and “Ella-meets-Peggy Lee phrasing”—but nothing quite prepares you for the sheer depth she brings to this Robert Goulet classic. Recorded live in London, the performance captures what she does best: bending time, caressing lyrics until they glow, and honouring the song while gently rewriting its emotional grammar.

At the centre of this spellbinding rendition is her long-serving musical partner, Paul Edis, whose intuitive playing feels less like accompaniment and more like an extension of Harrop’s breath. Together, they move with the fluid precision of artists who have spent years reading—not just each other’s cues—but each other’s souls. Edis seems to anticipate every nuance: when she holds a note a fraction longer, he widens the harmonic palette; when she darkens the tone, he follows her into the shadows with quiet, breathtaking restraint.

The result is a masterclass in duo performance: subtle, spacious, and unhurried. Harrop does not simply sing this song; she lives inside it.

Crucial to the single’s impact is the sonic clarity shaped by producer Jamie McCredie, whose fingerprints have graced several of Harrop’s finest recordings. His work here captures the warmth of the room, the tension of breath between phrases, the unmistakable electricity of a London audience leaning into every syllable. McCredie once again proves himself a producer who knows how to frame Harrop’s voice—never over-polished, never over-lit, always achingly intimate.

As the first release from her forthcoming Live in London EP—issued via Wolf Star Records—this beautifully produced single feels both like a summation of where Harrop is artistically and a thrilling signpost to what comes next. It is independent music-making at its most authentic: fearless, tender, and delivered with emotional truth.

A timeless song, reclaimed with authority.
A vocalist at the height of her powers.
A pianist in perfect synchrony.
A producer who understands the art of capturing lightning.

If ever she would leave you?
On the strength of this performance, not a chance. Glenn Wright

 

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