Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18402 (and counting) posts since we started blogging 18 years ago. 266 of them this year alone and, so far this month (Mar. 31 ), 76

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Mon 06: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 06: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 07: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 07: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence (piano); Paul Grainger (double bass); Abbie Finn (drums).

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 08: Zoë Gilby & Johnny Hunter @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 09: Tom Remon + Laurence Harrison @ Newcastle Arts Centre. 7:30pm. Free.
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 09: Michael Littlefield @ The Harbour View, Sunderland. 8:00pm. Free. Blues.
Thu 09: Jeremy McMurray’s Pocket Jazz Orchestra w. Dan Johnson @ Arc, Stockton. 8:00pm. £15.00. inc. bf.

Fri 10: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 10: Joe Steels: Celebrating Wes Montgomery @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Joe Steels, Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 10: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Gambling Janes @ Warkworth Memorial Hall. 7:30pm. £10.00.
Fri 10: Jake Leg Jug Band @ Saltburn Community Hall. 7:30pm.
Fri 10: Steve White Trio @ The Cluny, Newcastle. 7:30pm (doors). £20.00. + bf. Soul Drum (Acid Jazz Records) album tour.

Sat 11: Paul Skerritt Big Band @ The Glasshouse, Gateshead. 8:00pm. £26.80.

Sun 12: Swing Social @ The Cluny, Newcastle. 12 noon (doors). Admission: Donations (£5.00. - £10.00. suggested). Swing dance taster class, social dancing to Niffi Osiyemi Trio, DJs. Non dancers welcome. A Cluny-Swing Tyne event.
Sun 12: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 12: Trio Grand @ The White Room, Stanley. 6:30-9:30pm. £10.84.
Sun 12: SH#RP Collective @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00.

Saturday, February 21, 2026

Single review: Jo Harrop If Ever I Would Leave You – Live in London (Wolf Star Records)

Jo Harrop (vocal); Paul Edis (piano); Jamie McCredie (producer)

There are moments in an artist’s life when a song, long associated with another era or another voice, becomes entirely reborn—claimed, reshaped, and inhabited so completely that it feels as though it always belonged to them. Jo Harrop’s new live single, If Ever I Would Leave You (from the musical Camelot), is one of those rare, alchemical transformations.

Harrop has made a career of taking well-worn material and revealing the emotional architecture beneath it—her critics have praised her “late-night hush,” “smoky intensity,” and “Ella-meets-Peggy Lee phrasing”—but nothing quite prepares you for the sheer depth she brings to this Robert Goulet classic. Recorded live in London, the performance captures what she does best: bending time, caressing lyrics until they glow, and honouring the song while gently rewriting its emotional grammar.

At the centre of this spellbinding rendition is her long-serving musical partner, Paul Edis, whose intuitive playing feels less like accompaniment and more like an extension of Harrop’s breath. Together, they move with the fluid precision of artists who have spent years reading—not just each other’s cues—but each other’s souls. Edis seems to anticipate every nuance: when she holds a note a fraction longer, he widens the harmonic palette; when she darkens the tone, he follows her into the shadows with quiet, breathtaking restraint.

The result is a masterclass in duo performance: subtle, spacious, and unhurried. Harrop does not simply sing this song; she lives inside it.

Crucial to the single’s impact is the sonic clarity shaped by producer Jamie McCredie, whose fingerprints have graced several of Harrop’s finest recordings. His work here captures the warmth of the room, the tension of breath between phrases, the unmistakable electricity of a London audience leaning into every syllable. McCredie once again proves himself a producer who knows how to frame Harrop’s voice—never over-polished, never over-lit, always achingly intimate.

As the first release from her forthcoming Live in London EP—issued via Wolf Star Records—this beautifully produced single feels both like a summation of where Harrop is artistically and a thrilling signpost to what comes next. It is independent music-making at its most authentic: fearless, tender, and delivered with emotional truth.

A timeless song, reclaimed with authority.
A vocalist at the height of her powers.
A pianist in perfect synchrony.
A producer who understands the art of capturing lightning.

If ever she would leave you?
On the strength of this performance, not a chance. Glenn Wright

 

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