Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, February 08, 2026

Durham Alumni Big Band and Saltburn Big Band Encounters in Concert @ Saltburn Theatre Feb. 6

Two big bands for the price of one!  A night of fine big band music, which as MC Django promised us, would demonstrate the great range that big band music encompasses. There was a family connection too, as brothers Sean and Kevin Eland were the respective musical directors.

First up were DABB who started with Summertime, which, on a cold wet night, warmed us all up. They ran through a varied set with particular highlights being a punchy arrangement of Sunny, and Steampunk, written by ex band director Matt Roberts, featuring a great steam train style rhythm and Sean Eland on wooden train whistle! Particular praise for the late stand-in bassist, whose name I didn't get, but did a fine job.

After a short interval whilst the bands swapped around it was SBB’s turn. 

The set was a combination of instrumentals, and songs sung by Bridget Metcalfe. Highlights were Seventh Samba, a Bridget Metcalfe composition, nicely arranged by keyboardist Dave Archbold, and Come Rain or Come Shine, which switched seamlessly between a blues ballad and big band swing. Bridget is an accomplished performer, fully living all the lyrics, from ballads to pacy Latin numbers, and the band complemented this really well. The band were really tight, with Kevn Eland counting in and Josh Bentham conducting the endings.

A very entertaining night. Apologies for lack of names, but they were introduced by first  name only. As Django told us, big band musicians can be quite promiscuous, so mentions for three people who played in both bands. Dave Archbold, local guitarist Paul Donnelly and trumpeter Kevin Eland. Ian Hodgson

DABB: Summertime; Aja (Steely Dan); Sunny; All Of Me; Opening Time (a NYJO song); Just Friends; Weaver Of Dreams; Steampunk (I may have missed a couple of songs).

SBB: Domino; Aqua De Berber; Good Morning Heartache; Birks' Works; It Had Better Be Tonight (written by Henry Mancini for the Pink Panther film); Girl Talk; Jordu, Li'l Darlin'; Seventh Samba; Pennies From Heaven (sung with gusto by drummer Alex Cromarty); Come Rain or Come Shine; That's All.

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