Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18997 (and counting) posts since we started blogging 18 years ago. 861 of them this year alone and, so far this month (Oct. 13) 40.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.

Mon 19: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Sue Ferris Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tuesday, February 17, 2026

Album review: Chris Laurence - Ken Wheeler: Some Gnu Ones (Jazz in Britain)

Chris Laurence (bass) + Frank Ricotti (vibes tks 1, 2); Martin France (drums tks 1, 2); Rita Manning (violin), Bill Hawkes,Katie Wilkinson (violas), Nick Cooper, Ian Burdge (cellos), (strings tk 1); John Parricelli (guitar tks 2,3); Tom Walsh (flugelhorn tk 3)

Bassist, Chris Laurence (and long time collaborator of Kenny Wheeler) recorded three Wheeler compositions in 2020 six years after Wheeler’s death in 2014. Some Gnu Ones was released in 2021 by the newly formed Jazz In Britain label and is available on CD, digital and vinyl.

These three tracks vary in instrumentation, intention and length. The longest of which (15 minutes) Piece for Double Bass and Low Strings has a string quartet joined by Frank Ricotti’s vibes, John Parricelli’s guitar and Martin France’s drums. The gloriously flowing first movement is followed by a livelier second movement with France’s atmospheric percussion augmenting the uplifting vibes and strings. The piece closes on a slower and more melancholic note with its mesmerising theme.

Wheeler’s C-Man was originally recorded on Wheeler’s 1992 Kayak CD with the forces of an octet. Now whittled down to a quartet the vibes and guitar engage in spirited interactions that raise the bar in exploring the improvisational possibilities herein. Similarly, Tom Walsh’s lyrical flugelhorn comes to the fore fully immersed amongst the strings and Laurence’s arco bass on Baroque Piece. One senses a slight flamenco climate in the harmonic scheme of the solo section while sustaining its “Wheeleresque” quality encouraging a richly melodic canvas for the soloist to improvise upon.

Special kudos and mention also to pianist/arranger Pete Churchill for completing and making sense of the third movement of Piece for Double Bass and Low Strings as the first draft submitted appeared to be incomplete. Pete writes: Daunting as the task may have seemed, it was made easier because the fragments Ken had left were so fertile. It became clear that the best approach was to let these sketches develop the way they wanted to go - if I could just get myself out of the way the music would complete itself. At times the process was almost mystical.

Good on Jazz In Britain for issuing these classic and groundbreaking recordings of British Jazz. I look forward to many more. Frank Griffith

 (1) Piece For Double Bass And Low Strings; (2) C-Man; (3) Baroque Piece (27.41)

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